Film/Cinema

Related Faculty

Eric Ames
Professor
Jennifer M. Bean
Associate Professor, Robert Jolin Osborne Professor of Cinema and Media Studies
Yomi Braester
Professor, Byron W. and Alice L. Lockwood Professor in the Humanities
Gordana Crnkovic
Professor of Slavic and Comparative Literature, Cinema and Media
Warren Etheredge
Teaching Associate
Stephen Groening
Associate Professor
Chair, Cinema and Media Studies
Golden M. Owens
Assistant Professor
Diana Flores Ruíz
Assistant Professor
James Tweedie
Professor

Latest News

Maurice Parker's Review on the CMS 470 Showcase (April 27, 2026)
Getting a Grip with Emma Murphy (April 13, 2026)
Alum Yuta Kaminishi Appointed Assistant Professor at Waseda University (April 9, 2026)
Student Spotlight: Abbey Swiedom (April 1, 2026)
Graduate Student-Organized: Crisis Alarm: Conversations Across Asian Cinema and Media (March 20, 2026)

Related Research

Notes on Historical Methods Feminist Media Histories Vol. 11 No. 4, Fall 2025
Owens, Golden M. “Lana, Alexa, & ChatGPT: AI Surveillance and Too Hot to Handle Golden M. Owens / University of Washington – Flow.” Flow 32, no. 2 (2026). https://www.flowjournal.org/2026/03/surveillance-too-hot-to-handle/.
Mahadevan, S. (2025). Still photography in the cinema: Identity and selfhood in Chaudhvin Ka Chand (1960) and Laapata Ladies (2024). Studies in South Asian Film & Media, 17(2), 139–152. https://doi.org/10.1386/safm_00104_1
Mal Ahern, "Media Infrastructure and Historical Materialism," in In Focus: Images and Infrastructures, ed. Ahern and Dhaliwal, JCMS 65, no. 1 (Fall 2025): 195-201.
Mal Ahern and Ranjodh Singh Dhaliwal, "Modes of Visual Production," in In Focus: Images and Infrastructures, ed. Ahern and Dhaliwal, JCMS 65, no. 1 (Fall 2025): 156-161
Wang, Runjie. "Everything remediated, everywhere curated, all at once: Readymade experience in the Chinese mediasphere." Journal of Contemporary Chinese Art 12, no. 1 (2025): 95-111.
Owens, Golden M. “From Maid to Machine: Her, Hegemony, and the Twenty-First-Century Mammy.” The Journal of Cinema and Media Studies 64, no. 5 (2025). https://doi.org/10.3998/jcms.18261332.0064.513.
“Desire Lines: Sky Hopinka’s Undisciplining of Vision,” Reproduced in Temporal Territories: An Anthology on Indigenous Experimental Cinema, Cousin Collective and Light Industry Press, November 2024
Diana Flores Ruíz; Review: Border Tunnels: A Media Theory of the U.S.–Mexico Underground, by Juan Llamas-Rodriguez. Film Quarterly 1 June 2024; 77 (4): 103–104. doi: https://doi.org/10.1525/fq.2024.77.4.103
Diana Flores Ruíz; Rematerialization: Anticolonial Collective Memory through Latinx Digital Art. Feminist Media Histories 1 October 2024; 10 (4): 10–31. doi: https://doi.org/10.1525/fmh.2024.10.4.10