| Notes on Historical Methods Feminist Media Histories Vol. 11 No. 4, Fall 2025 |
Publications, Books |
Film/Cinema |
| Groening, Stephen. "An Antiwar Film in the Subjunctive Mood." Mechademia, vol. 18 no. 2, 2026, p. 185-204. Project MUSE, https://muse.jhu.edu/article/997360. |
Publications, Articles |
20th Century, Film/Cinema, Violence and Trauma |
| Diana Flores Ruíz, “AI Prompt Generation and Anti-Blackness: On the Creative Assets of Suppressing Dissent,” Flow: A Critical Forum on Media and Culture, May 5, 2026 |
Publications, Essays |
African American, Media Studies, New Media, Public Scholarship, Social Justice |
| Owens, Golden M. “Lana, Alexa, & ChatGPT: AI Surveillance and Too Hot to Handle Golden M. Owens / University of Washington – Flow.” Flow 32, no. 2 (2026). https://www.flowjournal.org/2026/03/surveillance-too-hot-to-handle/. |
Publications, Articles |
21st Century, Aesthetics, Digital Humanities, Film/Cinema, Gender, Women, and Sexuality Studies, Media Studies, New Media |
| Mahadevan, S. (2025). Still photography in the cinema: Identity and selfhood in Chaudhvin Ka Chand (1960) and Laapata Ladies (2024). Studies in South Asian Film & Media, 17(2), 139–152. https://doi.org/10.1386/safm_00104_1 |
Publications, Articles |
Film/Cinema, Photography, South Asian |
| Diana Flores Ruíz, “Swamp Slop and Fake Moats: On the AI Mediation of Alligator Alcatraz” Flow: A Critical Forum on Media and Culture 32, no 2, December 1, 2025 |
Publications, Essays |
Aesthetics, Digital Humanities, Media Studies, Race and Ethnicity, Science and Technology, Visual Culture |
| Ruíz, Diana Flores. "Split Rein or Whip? On the Production of Infrastructural Integrity at the US-Mexico Border." JCMS: Journal of Cinema and Media Studies 65, no. 1 (2025): 162-168. https://dx.doi.org/10.1353/cj.2025.a973995. |
Publications, Articles |
Aesthetics, American, Digital Humanities, Feminism and Feminist Theory, Media Studies, Race and Ethnicity, Visual Culture |
| Mal Ahern, "Media Infrastructure and Historical Materialism," in In Focus: Images and Infrastructures, ed. Ahern and Dhaliwal, JCMS 65, no. 1 (Fall 2025): 195-201. |
Publications, Articles |
Critical Theory, Film/Cinema, Historiography, Media Studies, New Media, Science and Technology, Television |
| Mal Ahern and Ranjodh Singh Dhaliwal, "Modes of Visual Production," in In Focus: Images and Infrastructures, ed. Ahern and Dhaliwal, JCMS 65, no. 1 (Fall 2025): 156-161 |
Publications, Articles |
Aesthetics, Film/Cinema, Historiography, Media Studies, New Media, Science and Technology |
| Mal Ahern and Ranjodh Singh Dhaliwal, eds, In Focus: Images and (Infra)structures, Journal of Cinema and Media Studies 65, no. 1 (Fall 2025), 156-201. |
Publications, Projects |
Critical Theory, Digital Humanities, Ecocriticism, Historiography, Media Studies, New Media, Photography, Race and Ethnicity, Science and Technology, Visual Culture |
| Wang, Runjie. "Everything remediated, everywhere curated, all at once: Readymade experience in the Chinese mediasphere." Journal of Contemporary Chinese Art 12, no. 1 (2025): 95-111. |
Publications, Articles |
Art History, Film/Cinema, New Media |
| Owens, Golden. “Book Review | Not My Type: Automating Sexual Racism by Apryl Williams (Stanford University Press, 2024).” Catalyst: Feminism, Theory, Technoscience 11, no. 1 (2025): 1. https://doi.org/10.28968/cftt.v11i1.44403. |
Publications, Reviews |
African American, Digital Humanities, Gender, Women, and Sexuality Studies, New Media |
| Owens, Golden M. “From Maid to Machine: Her, Hegemony, and the Twenty-First-Century Mammy.” The Journal of Cinema and Media Studies 64, no. 5 (2025). https://doi.org/10.3998/jcms.18261332.0064.513. |
Publications, Articles |
20th Century, 21st Century, African American, Critical Theory, Film/Cinema, Gender, Women, and Sexuality Studies, Media Studies, Race and Ethnicity |
| “Desire Lines: Sky Hopinka’s Undisciplining of Vision,” Reproduced in Temporal Territories: An Anthology on Indigenous Experimental Cinema, Cousin Collective and Light Industry Press, November 2024 |
Publications, Books |
Aesthetics, Documentary, Film/Cinema, Indigenous, Visual Arts |
| Diana Flores Ruíz; Review: Border Tunnels: A Media Theory of the U.S.–Mexico Underground, by Juan Llamas-Rodriguez. Film Quarterly 1 June 2024; 77 (4): 103–104. doi: https://doi.org/10.1525/fq.2024.77.4.103 |
Publications, Reviews |
American, Film/Cinema, Latino/a Studies, Media Studies, Race and Ethnicity, Visual Culture |
| Diana Flores Ruíz; Rematerialization: Anticolonial Collective Memory through Latinx Digital Art. Feminist Media Histories 1 October 2024; 10 (4): 10–31. doi: https://doi.org/10.1525/fmh.2024.10.4.10 |
Publications, Articles |
Aesthetics, Digital Humanities, Film/Cinema, Gender, Women, and Sexuality Studies, Indigenous, Latino/a Studies, Media Studies, Race and Ethnicity, Visual Arts, Visual Culture |
| Ruíz, Diana Flores. "Reference Rot: Digital Decay, White Supremacy, and Endangering Data." JCMS: Journal of Cinema and Media Studies 63, no. 3 (2024): 190-196. https://dx.doi.org/10.1353/cj.2024.a927695. |
Publications, Articles |
American, Digital Humanities, Historiography, Media Studies, Race and Ethnicity, Visual Culture |
| Mal Ahern, Conservation After Comfort, Part 2: Letting the World In, in After Comfort: A User's Guide, e-flux architecture, November 2024, https://www.e-flux.com/architecture/after-comfort/624766/conservation-after-conditioning-part-2-letting-the-world-in |
Publications, Articles |
Aesthetics, Ecocriticism, Intellectual History, Modernism, Visual Arts |
| Mal Ahern, "Conservation After Comfort, Part 1: Keeping the World Out," from After Comfort: A User's Guide, e-flux architecture, June 2024, https://www.e-flux.com/architecture/after-comfort/616851/conservation-after-conditioning-part-i-keeping-the-world-out |
Publications, Articles |
Aesthetics, Ecocriticism, Intellectual History, Modernism, Visual Arts |
| Donnelly, L. (2024, May). The Motion Augmented Acoustic Skate (MAAS) System: A Device for Real-Time Figure Skating Sonification. In Proceedings of the 9th International Conference on Movement and Computing, https://doi.org/10.1145/3658852.3658877 |
Publications |
Disability, New Media, Science and Technology |
| Choi, Sarah. "Can We Just Work It Out? Spike Jonze's Short Choreographic Storytelling in Arcade Fire's 'Afterlife' (2013)." Short Film Studies 14, no. 1 (2024): 43-50, https://doi.org/10.1386/sfs_00109_1. |
Publications, Articles |
Body, Film/Cinema, Media Studies, Performance Studies, Popular Culture, Visual Culture |
| Miller, C. (2024). “I Guess We’re All a Little Afraid of What We Love” Curtis Harrington and Queer Avant-Garde Horror. Quarterly Review of Film and Video, 1–18. https://doi.org/10.1080/10509208.2024.2391149 |
Publications, Articles |
Film/Cinema, Media Studies, Queer Studies |
| Llamas-Rodriguez, Juan. "Spotlight: Diana Flores Ruíz." JCMS: Journal of Cinema and Media Studies 62, no. 4 (2023): 5-8. https://dx.doi.org/10.1353/cj.2023.a904624. |
Publications, Articles |
Media Studies |
| Ruíz, Diana Flores. “Object Lessons: Humanitarian and Vigilante Imaging of Migrants’ Belongings along the U.S.–Mexico Border.” Critical Ethnic Studies 8, no. 2 (2023). https://www.jstor.org/stable/48849571. |
Publications, Articles |
Aesthetics, American, Documentary, Latino/a Studies, Media Studies, Violence and Trauma, Visual Culture |
| Choi, Sarah. "Cross-Generational Storytelling: A Conversation with Sasha Su-Ling Welland and Sabrina Craig." Feminist Media Histories, Vol. 9, Number 4, pps. 135–150. |
Publications, Articles |
African American, Asian American, Film/Cinema, Historiography, Media Studies, Visual Culture |
