| Stephen Groening, “Crying While Flying: The Intimacy of Inflight Entertainment” écraNoSphère 1 (February 2014), 17 pages |
Publications, Essays |
20th Century, Critical Theory, Film/Cinema, Media Studies |
| Stephen Groening, “Towards a Meteorology of the Media” Transformations 25 (December 2014), 9 pages |
Publications, Essays |
20th Century, Critical Theory, Media Studies |
| Stephen Groening, Cinema Beyond Territory: Inflight Entertainment and Atmospheres of Globalization. British Film Institute, 2014. |
Publications, Books |
20th Century, Film/Cinema, Global and Transnational Studies, History, Visual Culture |
| Eric Ames, ed. Werner Herzog: Interviews. University Press of Mississippi, 2014. Paperback 2015. |
Publications, Books |
20th Century, 21st Century, Aesthetics, Documentary, Film/Cinema, German, Media Studies, Visual Arts, Visual Culture |
| Jennifer M. Bean (co-editor). Silent Cinema and the Politics of Space. Indiana University Press: 2014. |
Publications, Books |
Film/Cinema |
| José Alaniz. Death, Disability, and the Superhero: The Silver Age and Beyond. University Press of Mississippi: 2014. |
Publications, Books |
Comics, Disability |
| William Arighi. "Empire and the Geography of Literary Time in the Spanish Philippines." Special Issue: "Cartographies of Dissent." English Language Notes 52.2 (Fall/Winter 2014) |
Publications, Essays |
Comparative Literature, Critical Theory, Global and Transnational Studies, Philippine and Filipino American |
| Nobody’s Business: Twenty-First Century Avant-Garde Poetics. Ithaca: Cornell Univ. Press, 2013. |
Publications, Books |
21st Century, Poetry and Poetics |
| Stephen Groening, “ ‘An Ugly Phrase for an Unprecedented Condition’: Mobile Privatization and Portable Media” KeyWords: A Journal of Cultural Materialism 11 (2013): 58-74 |
Publications, Essays |
20th Century, 21st Century, Critical Theory, History, Media Studies, Television |
| Stephen Groening, “Aerial Screens” History and Technology 29.3 (December 2013): 281-303 |
Publications, Essays |
20th Century, Critical Theory, Film/Cinema, History, Media Studies |
| Archives and Origins: the Material and Vernacular Cultures of Photography in India, Trans Asia Photography Review, vol. 4, no. 1, Fall 2013. |
Publications, Essays |
Film/Cinema, South Asian, Visual Culture |
| Mikkel Borch-Jacobsen, Big Pharma (Editions Les Arenes, 2013) |
Publications, Books |
Psychology |
| James Tweedie, The Age of New Waves (Oxford University Press, 2013) |
Publications, Books |
Film/Cinema |
| "Filling the Gap in Piers Plowman A: Trinity College, Dublin, MS 213.” In Stephen Shepherd and Michael Calabrese, ed. Yee? Baw for Bokes: Essays on Medieval Manuscripts and Poetics in Honor of Hoyt N. Duggan. Los Angeles: Marymount Inst. Press, 2013. 87-106. |
Publications, Essays |
English, Literature, Medieval, Textual Studies |
| Phenomenal Reading: Essays in Modern and Contemporary Poetics. Tuscaloosa: University of Alabama Press, 2012. |
Publications, Books |
20th Century, 21st Century, American, Poetry and Poetics |
| Eric Ames. Ferocious Reality: Documentary according to Werner Herzog. University of Minnesota Press, 2012. |
Publications, Books |
20th Century, 21st Century, Disability, Documentary, Film/Cinema, German, Media Studies, Performance Studies, Television, Visual Culture |
| Brian Reed, Phenomenal Reading: Essays on Modern and Contemporary Poetics (Tuscaloosa: University of Alabama Press, 2012). |
Publications, Books |
20th Century, 21st Century, American, English, Modernism, Poetry and Poetics, Postmodern |
| “Where Is Wille Buried? Piers Plowman A 12.105.” The Yearbook of Langland Studies 26 (2012): 131-36. |
Publications, Essays |
English, Literature, Medieval, Textual Studies |
| Gordana P. Crnkovic, Aida Vidan (eds). In Contrast: Croatian Film Today. Berghahn Book and Croatian Film Association, 2012. |
Publications, Books |
20th Century, 21st Century, Bosnian Croatian Montenegrin Serbian, Culture, East European, Film/Cinema, Slavic, Visual Arts |
| Gary Handwerk, trans. Friedrich Nietzsche's Human, All Too Human II (with notebook material from 1878-79). 2012. |
Publications, Translations |
German, Literature, Translation and Interpretation |
| Gordana P. Crnkovic. Post-Yugoslav Literature and Film: Fires, Foundations, Flourishes. Bloomsbury, 2012. |
Publications, Books |
East European, Film/Cinema, Literature |
| James Clauss. "The Argonautic Anabasis: Myth and Hellenic Identity in Apollonius' Argonautica." Mythe et pouvoir a' l'e'poque helle'nistique. Peeters: 2012. 417-437. |
Publications, Essays |
Greek History and Culture, Greek (Classical), Latin |
| Stephen Groening, “‘We Can See Ourselves as Others See Us:’ Women Workers and Western Union’s Training Films in the 1920s” in Useful Cinema, edited by Charles Acland and Haidee Wasson, Duke University Press, 2011, pp. 34-58. |
Publications, Essays |
20th Century, Feminism and Feminist Theory, Film/Cinema, Gender, Women, and Sexuality Studies |
| Stephen Groening, “Automobile TV, the Post-Nuclear Family, and SpongeBob SquarePants” Visual Studies 26 (June 2011): 148-153 |
Publications, Essays |
20th Century, Critical Theory, History, Media Studies, Television |
| Piers Plowman: The A Version. Ed. Míċeál F. Vaughan. Baltimore: Johns Hopkins University Press, 2011. |
Publications, Editions |
English, Literature, Medieval, Textual Studies |
