| Choi, Sarah. "Life, Death, or Something in between: Photographic Taxidermy in “Get out”(2017)." Quarterly Review of Film and Video (2021): https://doi.org/10.1080/10509208.2021.1888606. |
Publications, Essays |
21st Century, African American, Film/Cinema, Philosophy, Photography, Race and Ethnicity, Social Justice, Visual Arts, Visual Culture |
| Urgent Media and Emergent Art Feminist Media Histories Vol. 7 No. 1, Winter 2021 |
Publications, Books |
Film/Cinema |
| "Uncontained Pomposity, or Masculinity in The West Wing". Film Criticism Volume 44, Issue 4: November, 2020 |
Publications, Articles, Essays |
Gender, Women, and Sexuality Studies, Political Science, Television |
| Peng, Xin. "Yan Shanshan." In Jane Gaines, Radha Vatsal, and Monica Dall’Asta, eds. Women Film Pioneers Project. New York, NY: Columbia University Libraries, 2020. <https://doi.org/10.7916/d8-sb7c-ww77> |
Publications, Essays |
Chinese, Early Cinema, Film/Cinema, Historiography, History |
| Mal Ahern, "Playing with Vision: The Panoramic Shot in Laura Mulvey and Peter Wollen's Riddles of the Sphinx," in On the Viewing Platform: Perspectives on the Panorama, ed. Katie Trumpener and Tim Barringer, Yale University Press 2020 |
Publications, Essays |
Aesthetics, Art History, Feminism and Feminist Theory, Modernism |
| De Melo Franco, Rogerio. (2020). Mallarmé, Poet of the Earthly World: On Spatiality in L’Après-midi d’un Faune. In R. T. Tally (Ed.), Spatial Literary Studies (1st ed.). Routledge. |
Publications, Essays |
French |
| Ellen C. Scott and Shelleen Greene (guest eds.) Embodiment II: Habitation Feminist Media Histories Vol. 6 No. 4, Fall 2020 |
Publications, Books |
Film/Cinema |
| Naomi Sokoloff, Nancy E. Berg, eds. Since 1948 Israeli Literature in the Making. SUNY Press: 2020. |
Publications, Books |
Arabic, Hebrew, Jewish Studies, Yiddish |
| Sarah Choi, "Too Hot for a Pandemic," SCMS+ (Summer 2020), https://cdn.ymaws.com/www.cmstudies.org/resource/resmgr/scmsplus/Choi_Too_Hot_for_a_Pandemic.pdf |
Publications, Essays |
21st Century, American, Canadian, Culture, Digital Humanities, Documentary, Popular Culture, Television |
| Ellen C. Scott and Shelleen Greene (guest eds.) Embodiment I: Excavations Feminist Media Histories Vol. 6 No. 3, Summer 2020 |
Publications, Books |
Film/Cinema |
| Trần, L.H., 2020. An English to Vietnamese Translation of Yusef Komunyakaa's \"Saigon Bar Girls, 1975\". Asian Literature and Translation, 7(1), pp.13–15. DOI: http://doi.org/10.18573/alt.48 |
Publications, Translations, Projects |
African American, Asian American, Literature, Poetry and Poetics, Southeast Asian, Vietnamese |
| Jennifer Peterson (guest ed.) Media and the Environment, Feminist Media Histories Vol. 6 No. 2, Spring 2020 |
Publications, Books |
Film/Cinema |
| Comics of the New Europe: Reflections and Intersections. Edited by Martha Kuhlman and José Alaniz. Leuven University Press, 2020. |
Publications, Books |
20th Century, 21st Century, Bosnian Croatian Montenegrin Serbian, Comics, German, Polish, Popular Culture |
| Carly Kocurek (guest ed.) Feminist Video Game Histories, Feminist Media Histories Vol. 6 No. 1, Winter 2020 |
Publications, Books |
Film/Cinema |
| Kim, Ungsan. “Stateless Things (2011): Queer Cinema and the Critique of the Heteronormative Nation-State.” Rediscovering Korean Cinema, edited by Sangjoon Lee, Ann Arbor: University of Michigan Press, 2019, pp. 473-485. |
Publications, Essays |
Film/Cinema, Gender, Women, and Sexuality Studies, Korean, Queer Studies, Urban Studies |
| Boyechko, Richard. “‘Unregenerate Mass Nature’ in H. G. Wells and the Brothers Strugatsky.” H.G. Wells and All Things Russian, edited by Galya Diment, Anthem Press, 2019, pp. 81–100. |
Publications, Essays, Graduate |
20th Century, Classics, Novel/Prose Fiction, Russian |
| Uncanny Bodies: Superhero Comics and Disability. Edited by Scott T. Smith and José Alaniz. Penn State University Press, 2019. |
Publications, Books |
20th Century, Comics, Disability, Popular Culture |
| "Digital Graffiti Posters" 1968: Now and Then special issue of Cultural Critique 103 (Spring 2019) |
Publications, Essays |
20th Century, Aesthetics, Media Studies, New Media |
| Mal Ahern, "Cinema's Automatisms and Industrial Automation," diacritics 46:4 (2018), 6-35 |
Publications, Essays |
Aesthetics, Art History, Media Studies, New Media, Science and Technology |
| Milan Vidaković. "Magic Questions: The Rhetoric of Authority in South Slavic Epic Song." Oral Tradition 33.1 (2019): 51-88. |
Publications, Essays |
20th Century, Comparative Literature, East European, Folklore and Mythology, Literature, Slavic |
| Tran, Long. "Queer History Through a Hollywood Lens." Augsburg Honors Review 12.9 (2019): 129-139. Web. |
Publications, Essays |
Film/Cinema, Gender, Women, and Sexuality Studies, Media Studies, Queer Studies |
| Kim, Ungsan. “The Critical Social Turn of Queer Korean Cinema: Hospitality and the Temporal Economy of Queer Kinship in The Bacchus Lady (2016).” Korea Journal 58.2 (2018): 88-112. |
Publications, Essays |
Film/Cinema, Gender, Women, and Sexuality Studies, Korean, Popular Culture, Queer Studies |
| Mahadevan, Sudhir. 2018. A Very Old Machine: the Many Origins of the Cinema in India. Permanent Black/Orient Longman, India. |
Publications, Books |
Early Cinema, Film/Cinema, Photography, Postcolonial, South Asian, Visual Culture |
| Angels and Loners (novel), by Ramón Díaz Eterovic. Original Title: Ángeles y solitarios. Amazon Crossing, 2018. |
Publications, Translations |
Spanish |
| 9066. Dir. Long Tran. Perf. Arnold Mukai, Joel Ambo, and Annie Truex. This is a Long Film, 2018. Film |
Publications, Film/Video |
Asian American, Documentary, Drama, Japanese, Race and Ethnicity |
