A special issue on Speculative Approaches to Media Histories I
Guest edited by Allyson Nadia Field
https://online.ucpress.edu/fmh/issue/8/2
Editor-in-Chief: Jennifer M. Bean
FEATURED ARTICLES
Editor’s Introduction: Sites of Speculative Encounter ALLYSON NADIA FIELD
Changing the Subject: Lynn Nottage’s By the Way, Meet Vera Stark and the Making of Black Women’s Film History SAMANTHA N. SHEPPARD
Narrating Looted and Living Palestinian Archives: Reparative Fabulation in Azza El-Hassan’s Kings and Extras KAREEM ESTEFAN
The Vanishing Archive: Documentary Filmmaking, the Gaze, and the Metamorphosis of Atteyat al-Abnoudy YASMIN DESOUKI
The Film Image of Bessie Smith: St. Louis Blues (1929) in the Post- WWII Era and its Speculative Afterlives CINTA PELEJA
Restoring the Technicolor Ornament: The Yellow Woman’s Death in The Toll of the Sea (1922) PHOEBE CHEN
Lesbian Bars, Archival Media Bricolage and Research-Creation: Revisiting After Hours Chez Madame Arthur JULIANNE PIDDUCK
Queer Archival Autoethnography in Ken Gonzales-Day’s Bone-Grass Boy REN HEINTZ
Expanded Cinema, Recycled Cinema: A Ping-Pong Volley between VALIE EXPORT and Agnès Varda JEFF SCHEIBLE
Researching as Searching: Refusing the Archival Lacunae LIZ CZACH
Towards a Methodology of Unwatched Digital Media LAUREN S. BERLINER