| Gordana P. Crnkovic. Post-Yugoslav Literature and Film: Fires, Foundations, Flourishes. Bloomsbury, 2012. |
Publications, Books |
East European, Film/Cinema, Literature |
| Gordana P. Crnković: Literature and Film from East Europe's Forgotten "Second World": Essays of Invitation. New York, London, Oxford, New Delhi, Sydney: Bloomsbury Academic, 2021. |
Publications, Books |
Bosnian Croatian Montenegrin Serbian, Comparative Literature, East European, Film/Cinema, Literary Criticism, Literature, Polish, Slavic |
| James Tweedie, The Age of New Waves (Oxford University Press, 2013) |
Publications, Books |
Film/Cinema |
| James Tweedie, Moving Pictures, Still Lives (Oxford University Press, 2018) |
Publications, Books |
Art History, Critical Theory, Film/Cinema, New Media, Philosophy |
| Jennifer M. Bean (co-editor). A Feminist Reader in Early Cinema. Duke University Press: 2002. |
Publications, Books |
20th Century, Film/Cinema, Gender, Women, and Sexuality Studies, Visual Culture |
| Jennifer M. Bean (co-editor). Silent Cinema and the Politics of Space. Indiana University Press: 2014. |
Publications, Books |
Film/Cinema |
| Jennifer M. Bean. Flickers of Desire: Movie Stars of the 1910s. Rutgers University Press: 2011. |
Publications, Books |
Film/Cinema, Popular Culture |
| Jennifer Peterson (guest ed.) Media and the Environment, Feminist Media Histories Vol. 6 No. 2, Spring 2020 |
Publications, Books |
Film/Cinema |
| Kim, Ungsan. “Stateless Things (2011): Queer Cinema and the Critique of the Heteronormative Nation-State.” Rediscovering Korean Cinema, edited by Sangjoon Lee, Ann Arbor: University of Michigan Press, 2019, pp. 473-485. |
Publications, Essays |
Film/Cinema, Gender, Women, and Sexuality Studies, Korean, Queer Studies, Urban Studies |
| Kim, Ungsan. “Cruising the Art Museum: On the Migration of Queer Experimental Cinema in South Korea,” JCMS 62.3 (Spring 2023): 191–196. |
Publications, Essays |
Film/Cinema, Korean, Media Studies, Queer Studies, Visual Culture |
| Kim, Ungsan. “The Critical Social Turn of Queer Korean Cinema: Hospitality and the Temporal Economy of Queer Kinship in The Bacchus Lady (2016).” Korea Journal 58.2 (2018): 88-112. |
Publications, Essays |
Film/Cinema, Gender, Women, and Sexuality Studies, Korean, Popular Culture, Queer Studies |
| Kim, Ungsan. "Queer Korean Cinema, National Others, and Making of Queer Space in Stateless Things (2011)." Journal of Japanese and Korean Cinema 9.1 (2017): 61-79. |
Publications, Essays |
Film/Cinema, Korean, Queer Studies, Urban Studies |
| Mahadevan, S. (2021). Badnam Basti (1971): A small-town milieu in a 'new cinema' style. South Asian Popular Culture, 19 (3), 315-333. |
Publications |
20th Century, Film/Cinema, Popular Culture |
| Mahadevan, Sudhir, and Anuja Jain. “The Poetics of Indian Cinema: Introduction.” Screen (London), vol. 58, no. 1, 2017, pp. 59–63. |
Publications, Essays |
Film/Cinema, South Asian |
| Mahadevan, Sudhir. 2017. "Authorship, Industry and the Intermedial Relay: the Films of Vidhu Vinod Chopra", in Vishwamohan, Aysha Iqbal, and John, Vimal Mohan. Behind the Scenes : Contemporary Bollywood Directors and Their Cinema. SAGE. 79-97. |
Publications, Essays |
Film/Cinema, South Asian |
| Mahadevan, Sudhir. 2018. A Very Old Machine: the Many Origins of the Cinema in India. Permanent Black/Orient Longman, India. |
Publications, Books |
Early Cinema, Film/Cinema, Photography, Postcolonial, South Asian, Visual Culture |
| Mahadevan, Sudhir. “Traveling Showmen, Makeshift Cinemas.” BioScope South Asian Screen Studies, vol. 1, no. 1, 2010, pp. 27–47. |
Publications, Essays |
Film/Cinema, South Asian |
| Mal Ahern, "The Machine that Makes Gossip: Andy Warhol's Screen Test of Marcel Duchamp," NECSUS #Rumors, Spring 2022 |
Publications, Essays |
Art History, Film/Cinema, Historiography |
| Mal Ahern, "Trace: Six Grids and a Hypothesis," World Picture 11 (Summer 2016), worldpicturejournal.com/WP_11/Ahern_11.html |
Publications, Essays |
Art History, Film/Cinema, Media Studies |
| Missy Molly, Mimi Nielsen, Mery Shriver-Rice, eds. ReFocus: The Films of Susanne Bier. Edinburgh University Press: 2018. |
Publications, Books |
Film/Cinema, Scandinavian |
| Monika Kaup. Neobaroque in the Americas: Alternative Modernities in Literature, Visual Art, and Film. Virginia University Press, forthcoming: |
Publications, Books |
20th Century, 21st Century, American, Film/Cinema, Latin American, Visual Culture |
| Peng, Xin. "Yan Shanshan." In Jane Gaines, Radha Vatsal, and Monica Dall’Asta, eds. Women Film Pioneers Project. New York, NY: Columbia University Libraries, 2020. <https://doi.org/10.7916/d8-sb7c-ww77> |
Publications, Essays |
Chinese, Early Cinema, Film/Cinema, Historiography, History |
| Stephen Groening, Cinema Beyond Territory: Inflight Entertainment and Atmospheres of Globalization. British Film Institute, 2014. |
Publications, Books |
20th Century, Film/Cinema, Global and Transnational Studies, History, Visual Culture |
| Stephen Groening, “Aerial Screens” History and Technology 29.3 (December 2013): 281-303 |
Publications, Essays |
20th Century, Critical Theory, Film/Cinema, History, Media Studies |
| Stephen Groening, “ ‘No One Likes to Be a Captive Audience’: Headphones and InFlight Cinema” Film History 28.3 (October 2016): 114-138 |
Publications, Essays |
Film/Cinema, History |
