| Mikkel Borch-Jacobsen, Georges Fischman. Psychanalyse et constructivisme. 2005. |
Publications, Books |
Critical Theory, Psychology |
| Mikkel Borch-Jacobsen, Big Pharma (Editions Les Arenes, 2013) |
Publications, Books |
Psychology |
| Míċeál Vaughan. "Creating Comfortable Boundaries: Scribes, Editors, and the Invention of the Parson's Tale." Rewriting Chaucer: Culture, Authority, and the Idea of the Authentic Text, 1400-1602 (ed. by Thomas A. Prendergast and Barbara Kline). Ohio State Press: 1999. |
Publications, Essays |
English, Medieval |
| Marshall Brown. The Gothic Text. Stanford: Stanford University Press, 2004. |
Publications, Books |
18th Century, 19th Century, Literature, Romanticism |
| Marshall Brown. "The Tooth That Nibbles at the Soul": Essays on Music and Poetry. Seattle: University of Washington Press: 2010. |
Publications, Books |
Music, Poetry and Poetics |
| Mal Ahern, "Trace: Six Grids and a Hypothesis," World Picture 11 (Summer 2016), worldpicturejournal.com/WP_11/Ahern_11.html |
Publications, Essays |
Art History, Film/Cinema, Media Studies |
| Mal Ahern, "The Machine that Makes Gossip: Andy Warhol's Screen Test of Marcel Duchamp," NECSUS #Rumors, Spring 2022 |
Publications, Essays |
Art History, Film/Cinema, Historiography |
| Mal Ahern, "Playing with Vision: The Panoramic Shot in Laura Mulvey and Peter Wollen's Riddles of the Sphinx," in On the Viewing Platform: Perspectives on the Panorama, ed. Katie Trumpener and Tim Barringer, Yale University Press 2020 |
Publications, Essays |
Aesthetics, Art History, Feminism and Feminist Theory, Modernism |
| Mal Ahern, "Climate Control, Modernism, and Mass Production," Discourse 45.1-2 (Fall 2023), 3-32. |
Publications, Articles |
20th Century, Art History, Ecocriticism, Media Studies, Modernism, Science and Technology, Visual Arts, Visual Culture |
| Mal Ahern, "Climate Control and Modernist Aesthetics," public recorded talk, New Views of Modernism Symposium, University of Calgary, February 2021 |
Publications, Film/Video |
20th Century, Aesthetics, Art History, Media Studies, Modernism, Print Culture, Science and Technology, Visual Culture |
| Mal Ahern, "Cinema's Automatisms and Industrial Automation," diacritics 46:4 (2018), 6-35 |
Publications, Essays |
Aesthetics, Art History, Media Studies, New Media, Science and Technology |
| Mahadevan, Sudhir. “Traveling Showmen, Makeshift Cinemas.” BioScope South Asian Screen Studies, vol. 1, no. 1, 2010, pp. 27–47. |
Publications, Essays |
Film/Cinema, South Asian |
| Mahadevan, Sudhir. 2018. A Very Old Machine: the Many Origins of the Cinema in India. Permanent Black/Orient Longman, India. |
Publications, Books |
Early Cinema, Film/Cinema, Photography, Postcolonial, South Asian, Visual Culture |
| Mahadevan, Sudhir. 2017. "Authorship, Industry and the Intermedial Relay: the Films of Vidhu Vinod Chopra", in Vishwamohan, Aysha Iqbal, and John, Vimal Mohan. Behind the Scenes : Contemporary Bollywood Directors and Their Cinema. SAGE. 79-97. |
Publications, Essays |
Film/Cinema, South Asian |
| Mahadevan, Sudhir, and Anuja Jain. “The Poetics of Indian Cinema: Introduction.” Screen (London), vol. 58, no. 1, 2017, pp. 59–63. |
Publications, Essays |
Film/Cinema, South Asian |
| Mahadevan, S. (2021). Badnam Basti (1971): A small-town milieu in a 'new cinema' style. South Asian Popular Culture, 19 (3), 315-333. |
Publications |
20th Century, Film/Cinema, Popular Culture |
| Leroy Searle. "Textual Authority, Textual Integrity: The Cultural Importance of Editorial Ethics." Text of the Power of the Text (ed. by Cezary Galewicz). Homini: 2006. |
Publications, Essays |
Textual Studies |
| Leroy Searle. "Technology and the Perils of Poetry: or Why Criticism Never Catches Up." MLN 118 (2004): 1177-92. |
Publications, Essays |
Critical Theory, Literary Criticism, Poetry and Poetics |
| Laura Chrisman. Postcolonial Contraventions: Cultural Readings of Race, Imperialism and Transnationalism. Manchester University Press: 2003. |
Publications, Books |
Global and Transnational Studies, Postcolonial |
| Laura Chrisman, ed. "The Rendez-Vous of Conquest": Rethinking Race and Nation. Lawrence and Wishart: 2001. |
Publications, Books |
Global and Transnational Studies, Postcolonial |
| Kim, Ungsan. "Queer Korean Cinema, National Others, and Making of Queer Space in Stateless Things (2011)." Journal of Japanese and Korean Cinema 9.1 (2017): 61-79. |
Publications, Essays |
Film/Cinema, Korean, Queer Studies, Urban Studies |
| Kim, Ungsan. “The Poet and the Theater: Perverse Reading and Queer Poetry.” Routledge Companion to Korean Literature, edited by Heekyoung Cho, London: Routledge, 2022, pp. 488-502. |
Publications, Essays |
Korean, Literary Criticism, Poetry and Poetics, Queer Studies |
| Kim, Ungsan. “The Poet and the Theater: Perverse Reading and Queer Poetry.” Routledge Companion to Korean Literature, edited by Heekyoung Cho, London: Routledge, 2022, pp. 488-502. |
Publications, Essays |
Korean, Literary Criticism, Poetry and Poetics, Queer Studies |
| Kim, Ungsan. “The Critical Social Turn of Queer Korean Cinema: Hospitality and the Temporal Economy of Queer Kinship in The Bacchus Lady (2016).” Korea Journal 58.2 (2018): 88-112. |
Publications, Essays |
Film/Cinema, Gender, Women, and Sexuality Studies, Korean, Popular Culture, Queer Studies |
| Kim, Ungsan. “Cruising the Art Museum: On the Migration of Queer Experimental Cinema in South Korea,” JCMS 62.3 (Spring 2023): 191–196. |
Publications, Essays |
Film/Cinema, Korean, Media Studies, Queer Studies, Visual Culture |
