| Choi, Sarah. "Life, Death, or Something in between: Photographic Taxidermy in “Get out”(2017)." Quarterly Review of Film and Video (2021): https://doi.org/10.1080/10509208.2021.1888606. |
Publications, Essays |
21st Century, African American, Film/Cinema, Philosophy, Photography, Race and Ethnicity, Social Justice, Visual Arts, Visual Culture |
| Urgent Media and Emergent Art Feminist Media Histories Vol. 7 No. 1, Winter 2021 |
Publications, Books |
Film/Cinema |
| Peng, Xin. "Yan Shanshan." In Jane Gaines, Radha Vatsal, and Monica Dall’Asta, eds. Women Film Pioneers Project. New York, NY: Columbia University Libraries, 2020. <https://doi.org/10.7916/d8-sb7c-ww77> |
Publications, Essays |
Chinese, Early Cinema, Film/Cinema, Historiography, History |
| Ellen C. Scott and Shelleen Greene (guest eds.) Embodiment II: Habitation Feminist Media Histories Vol. 6 No. 4, Fall 2020 |
Publications, Books |
Film/Cinema |
| Ellen C. Scott and Shelleen Greene (guest eds.) Embodiment I: Excavations Feminist Media Histories Vol. 6 No. 3, Summer 2020 |
Publications, Books |
Film/Cinema |
| Jennifer Peterson (guest ed.) Media and the Environment, Feminist Media Histories Vol. 6 No. 2, Spring 2020 |
Publications, Books |
Film/Cinema |
| Carly Kocurek (guest ed.) Feminist Video Game Histories, Feminist Media Histories Vol. 6 No. 1, Winter 2020 |
Publications, Books |
Film/Cinema |
| Kim, Ungsan. “Stateless Things (2011): Queer Cinema and the Critique of the Heteronormative Nation-State.” Rediscovering Korean Cinema, edited by Sangjoon Lee, Ann Arbor: University of Michigan Press, 2019, pp. 473-485. |
Publications, Essays |
Film/Cinema, Gender, Women, and Sexuality Studies, Korean, Queer Studies, Urban Studies |
Tran, Long. "Queer History Through a Hollywood Lens." Augsburg Honors Review 12.9 (2019):
129-139. Web. |
Publications, Essays |
Film/Cinema, Gender, Women, and Sexuality Studies, Media Studies, Queer Studies |
| Kim, Ungsan. “The Critical Social Turn of Queer Korean Cinema: Hospitality and the Temporal Economy of Queer Kinship in The Bacchus Lady (2016).” Korea Journal 58.2 (2018): 88-112. |
Publications, Essays |
Film/Cinema, Gender, Women, and Sexuality Studies, Korean, Popular Culture, Queer Studies |
| Mahadevan, Sudhir. 2018. A Very Old Machine: the Many Origins of the Cinema in India. Permanent Black/Orient Longman, India. |
Publications, Books |
Early Cinema, Film/Cinema, Photography, Postcolonial, South Asian, Visual Culture |
| Missy Molly, Mimi Nielsen, Mery Shriver-Rice, eds. ReFocus: The Films of Susanne Bier. Edinburgh University Press: 2018. |
Publications, Books |
Film/Cinema, Scandinavian |
| James Tweedie, Moving Pictures, Still Lives (Oxford University Press, 2018) |
Publications, Books |
Art History, Critical Theory, Film/Cinema, New Media, Philosophy |
| Kim, Ungsan. "Queer Korean Cinema, National Others, and Making of Queer Space in Stateless Things (2011)." Journal of Japanese and Korean Cinema 9.1 (2017): 61-79. |
Publications, Essays |
Film/Cinema, Korean, Queer Studies, Urban Studies |
| Mahadevan, Sudhir, and Anuja Jain. “The Poetics of Indian Cinema: Introduction.” Screen (London), vol. 58, no. 1, 2017, pp. 59–63. |
Publications, Essays |
Film/Cinema, South Asian |
| Mahadevan, Sudhir. 2017. "Authorship, Industry and the Intermedial Relay: the Films of Vidhu Vinod Chopra", in Vishwamohan, Aysha Iqbal, and John, Vimal Mohan. Behind the Scenes : Contemporary Bollywood Directors and Their Cinema. SAGE. 79-97. |
Publications, Essays |
Film/Cinema, South Asian |
| Dinosaurs in the Hood. Dir. Nikkia Atkinson and Long Tran. Perf. Jonathan Keyes. This is a Long Film, 2017. Film. |
Publications, Film/Video, Undergraduate, Class Projects |
Documentary, Film/Cinema, New Media |
| Mal Ahern, "Trace: Six Grids and a Hypothesis," World Picture 11 (Summer 2016), worldpicturejournal.com/WP_11/Ahern_11.html |
Publications, Essays |
Art History, Film/Cinema, Media Studies |
| Stephen Groening, “ ‘No One Likes to Be a Captive Audience’: Headphones and InFlight Cinema” Film History 28.3 (October 2016): 114-138 |
Publications, Essays |
Film/Cinema, History |
| Eric Ames. Aguirre, the Wrath of God. BFI Film Classics. Palgrave Macmillan / British Film Institute, 2016. |
Publications, Books |
20th Century, Film/Cinema, German, History, Latin American, Postcolonial, Visual Arts, Visual Culture |
| Sudhir Mahadevan. A Very Old Machine: the Many Origins of the Cinema in India (SUNY Press) |
Publications, Books |
20th Century, Film/Cinema, South Asian, Visual Culture |
| Stephen Groening, “Crying While Flying: The Intimacy of Inflight Entertainment” écraNoSphère 1 (February 2014), 17 pages |
Publications, Essays |
20th Century, Critical Theory, Film/Cinema, Media Studies |
| Stephen Groening, Cinema Beyond Territory: Inflight Entertainment and Atmospheres of Globalization. British Film Institute, 2014. |
Publications, Books |
20th Century, Film/Cinema, Global and Transnational Studies, History, Visual Culture |
| Eric Ames, ed. Werner Herzog: Interviews. University Press of Mississippi, 2014. Paperback 2015. |
Publications, Books |
20th Century, 21st Century, Aesthetics, Documentary, Film/Cinema, German, Media Studies, Visual Arts, Visual Culture |
| Jennifer M. Bean (co-editor). Silent Cinema and the Politics of Space. Indiana University Press: 2014. |
Publications, Books |
Film/Cinema |
