| Missy Molly, Mimi Nielsen, Mery Shriver-Rice, eds. ReFocus: The Films of Susanne Bier. Edinburgh University Press: 2018. |
Publications, Books |
Film/Cinema, Scandinavian |
| James Tweedie, Moving Pictures, Still Lives (Oxford University Press, 2018) |
Publications, Books |
Art History, Critical Theory, Film/Cinema, New Media, Philosophy |
| Kim, Ungsan. "Queer Korean Cinema, National Others, and Making of Queer Space in Stateless Things (2011)." Journal of Japanese and Korean Cinema 9.1 (2017): 61-79. |
Publications, Essays |
Film/Cinema, Korean, Queer Studies, Urban Studies |
| Mahadevan, Sudhir, and Anuja Jain. “The Poetics of Indian Cinema: Introduction.” Screen (London), vol. 58, no. 1, 2017, pp. 59–63. |
Publications, Essays |
Film/Cinema, South Asian |
| Mahadevan, Sudhir. 2017. "Authorship, Industry and the Intermedial Relay: the Films of Vidhu Vinod Chopra", in Vishwamohan, Aysha Iqbal, and John, Vimal Mohan. Behind the Scenes : Contemporary Bollywood Directors and Their Cinema. SAGE. 79-97. |
Publications, Essays |
Film/Cinema, South Asian |
| Dinosaurs in the Hood. Dir. Nikkia Atkinson and Long Tran. Perf. Jonathan Keyes. This is a Long Film, 2017. Film. |
Publications, Film/Video, Undergraduate, Class Projects |
Documentary, Film/Cinema, New Media |
| Mal Ahern, "Trace: Six Grids and a Hypothesis," World Picture 11 (Summer 2016), worldpicturejournal.com/WP_11/Ahern_11.html |
Publications, Essays |
Art History, Film/Cinema, Media Studies |
| Stephen Groening, “ ‘No One Likes to Be a Captive Audience’: Headphones and InFlight Cinema” Film History 28.3 (October 2016): 114-138 |
Publications, Essays |
Film/Cinema, History |
| Eric Ames. Aguirre, the Wrath of God. BFI Film Classics. Palgrave Macmillan / British Film Institute, 2016. |
Publications, Books |
20th Century, Film/Cinema, German, History, Latin American, Postcolonial, Visual Arts, Visual Culture |
| Sudhir Mahadevan. A Very Old Machine: the Many Origins of the Cinema in India (SUNY Press) |
Publications, Books |
20th Century, Film/Cinema, South Asian, Visual Culture |
| Stephen Groening, “Crying While Flying: The Intimacy of Inflight Entertainment” écraNoSphère 1 (February 2014), 17 pages |
Publications, Essays |
20th Century, Critical Theory, Film/Cinema, Media Studies |
| Stephen Groening, Cinema Beyond Territory: Inflight Entertainment and Atmospheres of Globalization. British Film Institute, 2014. |
Publications, Books |
20th Century, Film/Cinema, Global and Transnational Studies, History, Visual Culture |
| Eric Ames, ed. Werner Herzog: Interviews. University Press of Mississippi, 2014. Paperback 2015. |
Publications, Books |
20th Century, 21st Century, Aesthetics, Documentary, Film/Cinema, German, Media Studies, Visual Arts, Visual Culture |
| Jennifer M. Bean (co-editor). Silent Cinema and the Politics of Space. Indiana University Press: 2014. |
Publications, Books |
Film/Cinema |
| Stephen Groening, “Aerial Screens” History and Technology 29.3 (December 2013): 281-303 |
Publications, Essays |
20th Century, Critical Theory, Film/Cinema, History, Media Studies |
| Archives and Origins: the Material and Vernacular Cultures of Photography in India, Trans Asia Photography Review, vol. 4, no. 1, Fall 2013. |
Publications, Essays |
Film/Cinema, South Asian, Visual Culture |
| James Tweedie, The Age of New Waves (Oxford University Press, 2013) |
Publications, Books |
Film/Cinema |
| Eric Ames. Ferocious Reality: Documentary according to Werner Herzog. University of Minnesota Press, 2012. |
Publications, Books |
20th Century, 21st Century, Disability, Documentary, Film/Cinema, German, Media Studies, Performance Studies, Television, Visual Culture |
| Gordana P. Crnkovic, Aida Vidan (eds). In Contrast: Croatian Film Today. Berghahn Book and Croatian Film Association, 2012. |
Publications, Books |
20th Century, 21st Century, Bosnian Croatian Montenegrin Serbian, Culture, East European, Film/Cinema, Slavic, Visual Arts |
| Gordana P. Crnkovic. Post-Yugoslav Literature and Film: Fires, Foundations, Flourishes. Bloomsbury, 2012. |
Publications, Books |
East European, Film/Cinema, Literature |
| Stephen Groening, “‘We Can See Ourselves as Others See Us:’ Women Workers and Western Union’s Training Films in the 1920s” in Useful Cinema, edited by Charles Acland and Haidee Wasson, Duke University Press, 2011, pp. 34-58. |
Publications, Essays |
20th Century, Feminism and Feminist Theory, Film/Cinema, Gender, Women, and Sexuality Studies |
| Francisco Benitez. "Transnational Questing Desire in Star Cinema's Kailangan kita and Milan." Positions: East Asia Cultures Critique 19.2 (2011): 257-280. |
Publications, Essays |
Film/Cinema, Philippine and Filipino American |
| Jennifer M. Bean. Flickers of Desire: Movie Stars of the 1910s. Rutgers University Press: 2011. |
Publications, Books |
Film/Cinema, Popular Culture |
| Mahadevan, Sudhir. “Traveling Showmen, Makeshift Cinemas.” BioScope South Asian Screen Studies, vol. 1, no. 1, 2010, pp. 27–47. |
Publications, Essays |
Film/Cinema, South Asian |
| Francisco Benitez. "Filming Philippine modernity during the Cold War : the case of Lamberto Avellana." Cultures at war: The Cold War and cultural expression in Southeast Asia. Ithaca, N.Y: Southeast Asia Program Publications, 2010. |
Publications, Essays |
Film/Cinema, Philippine and Filipino American |
