Choi, Sarah. "Life, Death, or Something in between: Photographic Taxidermy in “Get out”(2017)." Quarterly Review of Film and Video (2021): https://doi.org/10.1080/10509208.2021.1888606. |
Publications, Essays |
21st Century, African American, Film/Cinema, Philosophy, Photography, Race and Ethnicity, Social Justice, Visual Arts, Visual Culture |
“Where Is Wille Buried? Piers Plowman A 12.105.” The Yearbook of Langland Studies 26 (2012): 131-36. |
Publications, Essays |
English, Literature, Medieval, Textual Studies |
“Visual Poetry and the Poetics of Data Visualization.” Journal of English Language and Literature 63.4 (2017): 659-74. |
Publications, Essays |
20th Century, Digital Humanities, Literary Criticism, Poetry and Poetics |
“Virtuous Viewing” Film Criticism, 46:1 (June 2022) |
Publications, Articles |
Media Studies, Popular Culture, Race and Ethnicity, Television |
“Making a Case for the Priority of the A Version of Piers Plowman” (forthcoming in MLA volume on Teaching Piers Plowman, edited by Thomas Goodmann) |
Publications, Essays |
English, Literature, Medieval |
Yomi Braester. Witness against History: Literature, Film and Public Discourse in Twentieth-Century China. Stanford University Press: 2003. |
Publications, Books |
20th Century, Culture, Drama, East Asian, Film/Cinema, Literary Criticism, Literature |
Yomi Braester. Painting the City Red: Chinese Cinema and the Urban Contract. Duke University Press: 2010. |
Publications, Books |
Chinese, Film/Cinema |
Yomi Braester, James Tweedie, eds. Cinema at the City’s Edge: Film and Urban Networks in East Asia. Hong Kong University Press: 2010. |
Publications, Books |
East Asian, Film/Cinema |
Xin Peng, "Colour-as-Hue and Colour-as-Race: Early Technicolor, Ornamentalism and The Toll of the Sea," Screen Vol. 62, No. 3 (2021): 287-308. |
Publications, Essays |
20th Century, Asian American, Historiography, Race and Ethnicity |
William Arighi. "Empire and the Geography of Literary Time in the Spanish Philippines." Special Issue: "Cartographies of Dissent." English Language Notes 52.2 (Fall/Winter 2014) |
Publications, Essays |
Comparative Literature, Critical Theory, Global and Transnational Studies, Philippine and Filipino American |
Uncontained Pomposity, or Masculinity in The West Wing. Film Criticism Volume 44, Issue 4: November, 2020 |
Publications, Articles, Essays |
Gender, Women, and Sexuality Studies, Political Science, Television |
Uncanny Bodies: Superhero Comics and Disability. Edited by Scott T. Smith and José Alaniz. Penn State University Press, 2019. |
Publications, Books |
20th Century, Comics, Disability, Popular Culture |
Tran, Long. “subtle asian womxn.” Global Honors Digital Commons (2019): 1-12. |
Publications, Essays, Film/Video, Undergraduate |
Documentary, Film/Cinema, Gender, Women, and Sexuality Studies, New Media |
Tran, Long. "Queer History Through a Hollywood Lens." Augsburg Honors Review 12.9 (2019): 129-139. Web. |
Publications, Essays |
Film/Cinema, Gender, Women, and Sexuality Studies, Media Studies, Queer Studies |
Trần, L.H., 2020. An English to Vietnamese Translation of Yusef Komunyakaa's \"Saigon Bar Girls, 1975\". Asian Literature and Translation, 7(1), pp.13–15. DOI: http://doi.org/10.18573/alt.48 |
Publications, Translations, Projects |
African American, Asian American, Literature, Poetry and Poetics, Southeast Asian, Vietnamese |
Sudhir Mahadevan. A Very Old Machine: the Many Origins of the Cinema in India (SUNY Press) |
Publications, Books |
20th Century, Film/Cinema, South Asian, Visual Culture |
Stephen Groening, “‘We Can See Ourselves as Others See Us:’ Women Workers and Western Union’s Training Films in the 1920s” in Useful Cinema, edited by Charles Acland and Haidee Wasson, Duke University Press, 2011, pp. 34-58. |
Publications, Essays |
20th Century, Feminism and Feminist Theory, Film/Cinema, Gender, Women, and Sexuality Studies |
Stephen Groening, “Towards a Meteorology of the Media” Transformations 25 (December 2014), 9 pages |
Publications, Essays |
20th Century, Critical Theory, Media Studies |
Stephen Groening, “Introduction: The Aesthetics of Online Videos” Film Criticism 40.2 (June 2016), 9 pages |
Publications, Essays |
21st Century, Aesthetics, Art History, Critical Theory, Media Studies |
Stephen Groening, “From ‘A Box in the Theater of the World’ to ‘The World as Your Living Room’: Cellular Phones, Television, and Mobile Privatization” New Media and Society 12.8 (December 2010): 1331-1347 |
Publications, Essays |
20th Century, Critical Theory, Media Studies, Television |
Stephen Groening, “Cynicism and Other Postideological Half Measures in South Park” in Taking South Park Seriously, edited by Jeffrey Weinstock, State University of New York Press, 2008, pp. 113-129. |
Publications, Essays |
20th Century, Critical Theory, Gender, Women, and Sexuality Studies, Television |
Stephen Groening, “Crying While Flying: The Intimacy of Inflight Entertainment” écraNoSphère 1 (February 2014), 17 pages |
Publications, Essays |
20th Century, Critical Theory, Film/Cinema, Media Studies |
Stephen Groening, “Banality and Online Videos” Film Criticism 40.2 (June 2016), 8 pages |
Publications, Essays |
21st Century, Aesthetics, Art History, Critical Theory, Media Studies |
Stephen Groening, “Automobile TV, the Post-Nuclear Family, and SpongeBob SquarePants” Visual Studies 26 (June 2011): 148-153 |
Publications, Essays |
20th Century, Critical Theory, History, Media Studies, Television |
Stephen Groening, “ ‘No One Likes to Be a Captive Audience’: Headphones and InFlight Cinema” Film History 28.3 (October 2016): 114-138 |
Publications, Essays |
Film/Cinema, History |