| Author/Title |
Research Type |
Related Fields |
| Mahadevan, S. (2025). Still photography in the cinema: Identity and selfhood in Chaudhvin Ka Chand (1960) and Laapata Ladies (2024). Studies in South Asian Film & Media, 17(2), 139–152. https://doi.org/10.1386/safm_00104_1 |
Publications, Articles |
Film/Cinema, Photography, South Asian |
| Mahadevan, Sudhir. 2018. A Very Old Machine: the Many Origins of the Cinema in India. Permanent Black/Orient Longman, India. |
Publications, Books |
Early Cinema, Film/Cinema, Photography, Postcolonial, South Asian, Visual Culture |
| Mahadevan, Sudhir, and Anuja Jain. “The Poetics of Indian Cinema: Introduction.” Screen (London), vol. 58, no. 1, 2017, pp. 59–63. |
Publications, Essays |
Film/Cinema, South Asian |
| Mahadevan, Sudhir. 2017. "Authorship, Industry and the Intermedial Relay: the Films of Vidhu Vinod Chopra", in Vishwamohan, Aysha Iqbal, and John, Vimal Mohan. Behind the Scenes : Contemporary Bollywood Directors and Their Cinema. SAGE. 79-97. |
Publications, Essays |
Film/Cinema, South Asian |
| Sudhir Mahadevan. A Very Old Machine: the Many Origins of the Cinema in India (SUNY Press) |
Publications, Books |
20th Century, Film/Cinema, South Asian, Visual Culture |
| Archives and Origins: the Material and Vernacular Cultures of Photography in India, Trans Asia Photography Review, vol. 4, no. 1, Fall 2013. |
Publications, Essays |
Film/Cinema, South Asian, Visual Culture |
| Mahadevan, Sudhir. “Traveling Showmen, Makeshift Cinemas.” BioScope South Asian Screen Studies, vol. 1, no. 1, 2010, pp. 27–47. |
Publications, Essays |
Film/Cinema, South Asian |
