| Choi, Sarah. "Can We Just Work It Out? Spike Jonze's Short Choreographic Storytelling in Arcade Fire's 'Afterlife' (2013)." Short Film Studies 14, no. 1 (2024): 43-50, https://doi.org/10.1386/sfs_00109_1. |
Publications, Articles |
Body, Film/Cinema, Media Studies, Performance Studies, Popular Culture, Visual Culture |
| Miller, C. (2024). “I Guess We’re All a Little Afraid of What We Love” Curtis Harrington and Queer Avant-Garde Horror. Quarterly Review of Film and Video, 1–18. https://doi.org/10.1080/10509208.2024.2391149 |
Publications, Articles |
Film/Cinema, Media Studies, Queer Studies |
| Choi, Sarah. "Cross-Generational Storytelling: A Conversation with Sasha Su-Ling Welland and Sabrina Craig." Feminist Media Histories, Vol. 9, Number 4, pps. 135–150. |
Publications, Articles |
African American, Asian American, Film/Cinema, Historiography, Media Studies, Visual Culture |
| Mal Ahern, "Climate Control, Modernism, and Mass Production," Discourse 45.1-2 (Fall 2023), 3-32. |
Publications, Articles |
20th Century, Art History, Ecocriticism, Media Studies, Modernism, Science and Technology, Visual Arts, Visual Culture |
| Golden Owens, “‘Hey Google, Talk Like Issa’: Black Voiced Digital Assistants and the Reshaping of Racial Labor,” Sounding Out! (blog), June 5, 2023, https://soundstudiesblog.com/2023/06/05/google-talk-like-issa-black-voiced-digital-assistants-and-the-reshaping-of-racial-labor/. |
Publications, Articles |
African American, Digital Humanities, Film/Cinema, Gender, Women, and Sexuality Studies, Media Studies, New Media, Race and Ethnicity, Science and Technology |
| Kim, Ungsan. “Cruising the Art Museum: On the Migration of Queer Experimental Cinema in South Korea,” JCMS 62.3 (Spring 2023): 191–196. |
Publications, Essays |
Film/Cinema, Korean, Media Studies, Queer Studies, Visual Culture |
| “Virtuous Viewing” Film Criticism, 46:1 (June 2022) |
Publications, Articles |
Media Studies, Popular Culture, Race and Ethnicity, Television |
| Speculative Approaches to Media Histories II Feminist Media Histories Vol. 8 No. 3, Summer 2022 |
Publications, Books |
Feminism and Feminist Theory, Film/Cinema, Media Studies |
| A special issue on Speculative Approaches to Media Histories I Feminist Media Histories, Vol. 8, No. 2, Spring 2022 |
Publications, Books |
Film/Cinema, Media Studies |
| Mal Ahern, "Climate Control and Modernist Aesthetics," public recorded talk, New Views of Modernism Symposium, University of Calgary, February 2021 |
Publications, Film/Video |
20th Century, Aesthetics, Art History, Media Studies, Modernism, Print Culture, Science and Technology, Visual Culture |
| "Digital Graffiti Posters" 1968: Now and Then special issue of Cultural Critique 103 (Spring 2019) |
Publications, Essays |
20th Century, Aesthetics, Media Studies, New Media |
| Mal Ahern, "Cinema's Automatisms and Industrial Automation," diacritics 46:4 (2018), 6-35 |
Publications, Essays |
Aesthetics, Art History, Media Studies, New Media, Science and Technology |
| Tran, Long. "Queer History Through a Hollywood Lens." Augsburg Honors Review 12.9 (2019): 129-139. Web. |
Publications, Essays |
Film/Cinema, Gender, Women, and Sexuality Studies, Media Studies, Queer Studies |
| Mal Ahern, "Trace: Six Grids and a Hypothesis," World Picture 11 (Summer 2016), worldpicturejournal.com/WP_11/Ahern_11.html |
Publications, Essays |
Art History, Film/Cinema, Media Studies |
| Stephen Groening, “Banality and Online Videos” Film Criticism 40.2 (June 2016), 8 pages |
Publications, Essays |
21st Century, Aesthetics, Art History, Critical Theory, Media Studies |
| Stephen Groening, “Introduction: The Aesthetics of Online Videos” Film Criticism 40.2 (June 2016), 9 pages |
Publications, Essays |
21st Century, Aesthetics, Art History, Critical Theory, Media Studies |
| Stephen Groening, “Crying While Flying: The Intimacy of Inflight Entertainment” écraNoSphère 1 (February 2014), 17 pages |
Publications, Essays |
20th Century, Critical Theory, Film/Cinema, Media Studies |
| Stephen Groening, “Towards a Meteorology of the Media” Transformations 25 (December 2014), 9 pages |
Publications, Essays |
20th Century, Critical Theory, Media Studies |
| Eric Ames, ed. Werner Herzog: Interviews. University Press of Mississippi, 2014. Paperback 2015. |
Publications, Books |
20th Century, 21st Century, Aesthetics, Documentary, Film/Cinema, German, Media Studies, Visual Arts, Visual Culture |
| Stephen Groening, “ ‘An Ugly Phrase for an Unprecedented Condition’: Mobile Privatization and Portable Media” KeyWords: A Journal of Cultural Materialism 11 (2013): 58-74 |
Publications, Essays |
20th Century, 21st Century, Critical Theory, History, Media Studies, Television |
| Stephen Groening, “Aerial Screens” History and Technology 29.3 (December 2013): 281-303 |
Publications, Essays |
20th Century, Critical Theory, Film/Cinema, History, Media Studies |
| Eric Ames. Ferocious Reality: Documentary according to Werner Herzog. University of Minnesota Press, 2012. |
Publications, Books |
20th Century, 21st Century, Disability, Documentary, Film/Cinema, German, Media Studies, Performance Studies, Television, Visual Culture |
| Stephen Groening, “Automobile TV, the Post-Nuclear Family, and SpongeBob SquarePants” Visual Studies 26 (June 2011): 148-153 |
Publications, Essays |
20th Century, Critical Theory, History, Media Studies, Television |
| Stephen Groening, “From ‘A Box in the Theater of the World’ to ‘The World as Your Living Room’: Cellular Phones, Television, and Mobile Privatization” New Media and Society 12.8 (December 2010): 1331-1347 |
Publications, Essays |
20th Century, Critical Theory, Media Studies, Television |
| Zagreb Everywhere. MiroJoy group: Seattle, 2001. http://vimeo.com/45275095 |
Publications, Film/Video |
Autobiography, Biography, and Life Writing, Bosnian Croatian Montenegrin Serbian, Literature and Other Arts, Media Studies, Visual Arts |
