| Author/Title |
Research Type |
Related Fields |
| “Desire Lines: Sky Hopinka’s Undisciplining of Vision,” Reproduced in Temporal Territories: An Anthology on Indigenous Experimental Cinema, Cousin Collective and Light Industry Press, November 2024 |
Publications, Books |
Aesthetics, Documentary, Film/Cinema, Indigenous, Visual Arts |
| Diana Flores Ruíz; Rematerialization: Anticolonial Collective Memory through Latinx Digital Art. Feminist Media Histories 1 October 2024; 10 (4): 10–31. doi: https://doi.org/10.1525/fmh.2024.10.4.10 |
Publications, Articles |
Aesthetics, Digital Humanities, Film/Cinema, Gender, Women, and Sexuality Studies, Indigenous, Latino/a Studies, Media Studies, Race and Ethnicity, Visual Arts, Visual Culture |
| Diana Flores Ruíz, “Visiting: Towards Ethical Forms of Encounters,” in The sun comes in whenever it wants (Paris: Empire Books and Luma Arles, 2022) |
Publications, Books |
Aesthetics, Documentary, Film/Cinema, Indigenous, Visual Arts |
| Diana Flores Ruíz; Desire Lines: Sky Hopinka’s Undisciplining of Vision. Film Quarterly 1 March 2022; 75 (3): 12–25. doi: https://doi.org/10.1525/fq.2022.75.3.12 |
Publications, Articles |
Aesthetics, Documentary, Film/Cinema, Indigenous |
| Wang, Runjie. “Can Tibetan Filmmakers Speak More than Ethnic Identity? Re-Imagining Tibetan New Wave beyond Ethnicized Reading.” Asian Cinema 35, no. 1–2 (2024): 23–39. |
Publications, Articles |
21st Century, Chinese, Comparative Literature, Critical Theory, East Asian, Film/Cinema, Indigenous, Postcolonial, Visual Culture |
