| Owens, Golden M. “Lana, Alexa, & ChatGPT: AI Surveillance and Too Hot to Handle Golden M. Owens / University of Washington – Flow.” Flow 32, no. 2 (2026). https://www.flowjournal.org/2026/03/surveillance-too-hot-to-handle/. |
Publications, Articles |
21st Century, Aesthetics, Digital Humanities, Film/Cinema, Gender, Women, and Sexuality Studies, Media Studies, New Media |
| Diana Flores Ruíz, “Swamp Slop and Fake Moats: On the AI Mediation of Alligator Alcatraz” Flow: A Critical Forum on Media and Culture 32, no 2, December 1, 2025 |
Publications, Essays |
Aesthetics, Digital Humanities, Media Studies, Race and Ethnicity, Science and Technology, Visual Culture |
| Ruíz, Diana Flores. "Split Rein or Whip? On the Production of Infrastructural Integrity at the US-Mexico Border." JCMS: Journal of Cinema and Media Studies 65, no. 1 (2025): 162-168. https://dx.doi.org/10.1353/cj.2025.a973995. |
Publications, Articles |
Aesthetics, American, Digital Humanities, Feminism and Feminist Theory, Media Studies, Race and Ethnicity, Visual Culture |
| Mal Ahern and Ranjodh Singh Dhaliwal, "Modes of Visual Production," in In Focus: Images and Infrastructures, ed. Ahern and Dhaliwal, JCMS 65, no. 1 (Fall 2025): 156-161 |
Publications, Articles |
Aesthetics, Film/Cinema, Historiography, Media Studies, New Media, Science and Technology |
| “Desire Lines: Sky Hopinka’s Undisciplining of Vision,” Reproduced in Temporal Territories: An Anthology on Indigenous Experimental Cinema, Cousin Collective and Light Industry Press, November 2024 |
Publications, Books |
Aesthetics, Documentary, Film/Cinema, Indigenous, Visual Arts |
| Diana Flores Ruíz; Rematerialization: Anticolonial Collective Memory through Latinx Digital Art. Feminist Media Histories 1 October 2024; 10 (4): 10–31. doi: https://doi.org/10.1525/fmh.2024.10.4.10 |
Publications, Articles |
Aesthetics, Digital Humanities, Film/Cinema, Gender, Women, and Sexuality Studies, Indigenous, Latino/a Studies, Media Studies, Race and Ethnicity, Visual Arts, Visual Culture |
| Mal Ahern, Conservation After Comfort, Part 2: Letting the World In, in After Comfort: A User's Guide, e-flux architecture, November 2024, https://www.e-flux.com/architecture/after-comfort/624766/conservation-after-conditioning-part-2-letting-the-world-in |
Publications, Articles |
Aesthetics, Ecocriticism, Intellectual History, Modernism, Visual Arts |
| Mal Ahern, "Conservation After Comfort, Part 1: Keeping the World Out," from After Comfort: A User's Guide, e-flux architecture, June 2024, https://www.e-flux.com/architecture/after-comfort/616851/conservation-after-conditioning-part-i-keeping-the-world-out |
Publications, Articles |
Aesthetics, Ecocriticism, Intellectual History, Modernism, Visual Arts |
| Ruíz, Diana Flores. “Object Lessons: Humanitarian and Vigilante Imaging of Migrants’ Belongings along the U.S.–Mexico Border.” Critical Ethnic Studies 8, no. 2 (2023). https://www.jstor.org/stable/48849571. |
Publications, Articles |
Aesthetics, American, Documentary, Latino/a Studies, Media Studies, Violence and Trauma, Visual Culture |
| Diana Flores Ruíz, “Visiting: Towards Ethical Forms of Encounters,” in The sun comes in whenever it wants (Paris: Empire Books and Luma Arles, 2022) |
Publications, Books |
Aesthetics, Documentary, Film/Cinema, Indigenous, Visual Arts |
| Diana Flores Ruíz; Desire Lines: Sky Hopinka’s Undisciplining of Vision. Film Quarterly 1 March 2022; 75 (3): 12–25. doi: https://doi.org/10.1525/fq.2022.75.3.12 |
Publications, Articles |
Aesthetics, Documentary, Film/Cinema, Indigenous |
| Choi, Sarah. "When Light Permeates Through: Inside Barbara Earl Thomas' Transformation Room." A Year in Black Art 5 (Fall 2022): 14-19. |
Publications, Essays |
Aesthetics, African American, Visual Arts, Visual Culture |
| Mal Ahern, "Climate Control and Modernist Aesthetics," public recorded talk, New Views of Modernism Symposium, University of Calgary, February 2021 |
Publications, Film/Video |
20th Century, Aesthetics, Art History, Media Studies, Modernism, Print Culture, Science and Technology, Visual Culture |
| Mal Ahern, "Playing with Vision: The Panoramic Shot in Laura Mulvey and Peter Wollen's Riddles of the Sphinx," in On the Viewing Platform: Perspectives on the Panorama, ed. Katie Trumpener and Tim Barringer, Yale University Press 2020 |
Publications, Essays |
Aesthetics, Art History, Feminism and Feminist Theory, Modernism |
| "Digital Graffiti Posters" 1968: Now and Then special issue of Cultural Critique 103 (Spring 2019) |
Publications, Essays |
20th Century, Aesthetics, Media Studies, New Media |
| Mal Ahern, "Cinema's Automatisms and Industrial Automation," diacritics 46:4 (2018), 6-35 |
Publications, Essays |
Aesthetics, Art History, Media Studies, New Media, Science and Technology |
| Stephen Groening, “Banality and Online Videos” Film Criticism 40.2 (June 2016), 8 pages |
Publications, Essays |
21st Century, Aesthetics, Art History, Critical Theory, Media Studies |
| Stephen Groening, “Introduction: The Aesthetics of Online Videos” Film Criticism 40.2 (June 2016), 9 pages |
Publications, Essays |
21st Century, Aesthetics, Art History, Critical Theory, Media Studies |
| Mal Ahern, "Naked Criticism," The New Inquiry, March 2014. |
Publications, Essays, Reviews |
Aesthetics, Art History, Literary Criticism |
| Eric Ames, ed. Werner Herzog: Interviews. University Press of Mississippi, 2014. Paperback 2015. |
Publications, Books |
20th Century, 21st Century, Aesthetics, Documentary, Film/Cinema, German, Media Studies, Visual Arts, Visual Culture |
