| Diana Flores Ruíz, “Swamp Slop and Fake Moats: On the AI Mediation of Alligator Alcatraz” Flow: A Critical Forum on Media and Culture 32, no 2, December 1, 2025 |
Publications, Essays |
Aesthetics, Digital Humanities, Media Studies, Race and Ethnicity, Science and Technology, Visual Culture |
| Ruíz, Diana Flores. "Split Rein or Whip? On the Production of Infrastructural Integrity at the US-Mexico Border." JCMS: Journal of Cinema and Media Studies 65, no. 1 (2025): 162-168. https://dx.doi.org/10.1353/cj.2025.a973995. |
Publications, Articles |
Aesthetics, American, Digital Humanities, Feminism and Feminist Theory, Media Studies, Race and Ethnicity, Visual Culture |
| Mal Ahern and Ranjodh Singh Dhaliwal, eds, In Focus: Images and (Infra)structures, Journal of Cinema and Media Studies 65, no. 1 (Fall 2025), 156-201. |
Publications, Projects |
Critical Theory, Digital Humanities, Ecocriticism, Historiography, Media Studies, New Media, Photography, Race and Ethnicity, Science and Technology, Visual Culture |
| Diana Flores Ruíz; Review: Border Tunnels: A Media Theory of the U.S.–Mexico Underground, by Juan Llamas-Rodriguez. Film Quarterly 1 June 2024; 77 (4): 103–104. doi: https://doi.org/10.1525/fq.2024.77.4.103 |
Publications, Reviews |
American, Film/Cinema, Latino/a Studies, Media Studies, Race and Ethnicity, Visual Culture |
| Diana Flores Ruíz; Rematerialization: Anticolonial Collective Memory through Latinx Digital Art. Feminist Media Histories 1 October 2024; 10 (4): 10–31. doi: https://doi.org/10.1525/fmh.2024.10.4.10 |
Publications, Articles |
Aesthetics, Digital Humanities, Film/Cinema, Gender, Women, and Sexuality Studies, Indigenous, Latino/a Studies, Media Studies, Race and Ethnicity, Visual Arts, Visual Culture |
| Ruíz, Diana Flores. "Reference Rot: Digital Decay, White Supremacy, and Endangering Data." JCMS: Journal of Cinema and Media Studies 63, no. 3 (2024): 190-196. https://dx.doi.org/10.1353/cj.2024.a927695. |
Publications, Articles |
American, Digital Humanities, Historiography, Media Studies, Race and Ethnicity, Visual Culture |
| Choi, Sarah. "Can We Just Work It Out? Spike Jonze's Short Choreographic Storytelling in Arcade Fire's 'Afterlife' (2013)." Short Film Studies 14, no. 1 (2024): 43-50, https://doi.org/10.1386/sfs_00109_1. |
Publications, Articles |
Body, Film/Cinema, Media Studies, Performance Studies, Popular Culture, Visual Culture |
| Ruíz, Diana Flores. “Object Lessons: Humanitarian and Vigilante Imaging of Migrants’ Belongings along the U.S.–Mexico Border.” Critical Ethnic Studies 8, no. 2 (2023). https://www.jstor.org/stable/48849571. |
Publications, Articles |
Aesthetics, American, Documentary, Latino/a Studies, Media Studies, Violence and Trauma, Visual Culture |
| Choi, Sarah. "Cross-Generational Storytelling: A Conversation with Sasha Su-Ling Welland and Sabrina Craig." Feminist Media Histories, Vol. 9, Number 4, pps. 135–150. |
Publications, Articles |
African American, Asian American, Film/Cinema, Historiography, Media Studies, Visual Culture |
| Mal Ahern, "Climate Control, Modernism, and Mass Production," Discourse 45.1-2 (Fall 2023), 3-32. |
Publications, Articles |
20th Century, Art History, Ecocriticism, Media Studies, Modernism, Science and Technology, Visual Arts, Visual Culture |
| Kim, Ungsan. “Cruising the Art Museum: On the Migration of Queer Experimental Cinema in South Korea,” JCMS 62.3 (Spring 2023): 191–196. |
Publications, Essays |
Film/Cinema, Korean, Media Studies, Queer Studies, Visual Culture |
| Choi, Sarah. "When Light Permeates Through: Inside Barbara Earl Thomas' Transformation Room." A Year in Black Art 5 (Fall 2022): 14-19. |
Publications, Essays |
Aesthetics, African American, Visual Arts, Visual Culture |
| Mal Ahern, "Climate Control and Modernist Aesthetics," public recorded talk, New Views of Modernism Symposium, University of Calgary, February 2021 |
Publications, Film/Video |
20th Century, Aesthetics, Art History, Media Studies, Modernism, Print Culture, Science and Technology, Visual Culture |
| Choi, Sarah. "Life, Death, or Something in between: Photographic Taxidermy in “Get out”(2017)." Quarterly Review of Film and Video (2021): https://doi.org/10.1080/10509208.2021.1888606. |
Publications, Essays |
21st Century, African American, Film/Cinema, Philosophy, Photography, Race and Ethnicity, Social Justice, Visual Arts, Visual Culture |
| Mahadevan, Sudhir. 2018. A Very Old Machine: the Many Origins of the Cinema in India. Permanent Black/Orient Longman, India. |
Publications, Books |
Early Cinema, Film/Cinema, Photography, Postcolonial, South Asian, Visual Culture |
| Eric Ames. Aguirre, the Wrath of God. BFI Film Classics. Palgrave Macmillan / British Film Institute, 2016. |
Publications, Books |
20th Century, Film/Cinema, German, History, Latin American, Postcolonial, Visual Arts, Visual Culture |
| Sudhir Mahadevan. A Very Old Machine: the Many Origins of the Cinema in India (SUNY Press) |
Publications, Books |
20th Century, Film/Cinema, South Asian, Visual Culture |
| Stephen Groening, Cinema Beyond Territory: Inflight Entertainment and Atmospheres of Globalization. British Film Institute, 2014. |
Publications, Books |
20th Century, Film/Cinema, Global and Transnational Studies, History, Visual Culture |
| Eric Ames, ed. Werner Herzog: Interviews. University Press of Mississippi, 2014. Paperback 2015. |
Publications, Books |
20th Century, 21st Century, Aesthetics, Documentary, Film/Cinema, German, Media Studies, Visual Arts, Visual Culture |
| Archives and Origins: the Material and Vernacular Cultures of Photography in India, Trans Asia Photography Review, vol. 4, no. 1, Fall 2013. |
Publications, Essays |
Film/Cinema, South Asian, Visual Culture |
| Eric Ames. Ferocious Reality: Documentary according to Werner Herzog. University of Minnesota Press, 2012. |
Publications, Books |
20th Century, 21st Century, Disability, Documentary, Film/Cinema, German, Media Studies, Performance Studies, Television, Visual Culture |
| José Alaniz. Komiks: Comic Art in Russia. University Press of Mississippi: 2010. |
Publications, Books |
Popular Culture, Russian, Visual Culture |
| Eric Ames. Carl Hagenbeck's Empire of Entertainments. University of Washington Press, 2009. |
Publications, Books |
19th Century, 20th Century, Film/Cinema, German, History, Performance Studies, Popular Culture, Race and Ethnicity, Urban Studies, Visual Culture |
| Edward Mack, Paul S. Atkins, and Davinder L. Bhowmik (eds). Landscapes Imagined and Remembered: Proceedings of the Association for Japanese Literary Studies, vol. 6. 2005. |
Publications, Books |
Japanese, Literature, Visual Culture |
| Jennifer M. Bean (co-editor). A Feminist Reader in Early Cinema. Duke University Press: 2002. |
Publications, Books |
20th Century, Film/Cinema, Gender, Women, and Sexuality Studies, Visual Culture |
