| “Desire Lines: Sky Hopinka’s Undisciplining of Vision,” Reproduced in Temporal Territories: An Anthology on Indigenous Experimental Cinema, Cousin Collective and Light Industry Press, November 2024 |
Publications, Books |
Aesthetics, Documentary, Film/Cinema, Indigenous, Visual Arts |
| Diana Flores Ruíz; Rematerialization: Anticolonial Collective Memory through Latinx Digital Art. Feminist Media Histories 1 October 2024; 10 (4): 10–31. doi: https://doi.org/10.1525/fmh.2024.10.4.10 |
Publications, Articles |
Aesthetics, Digital Humanities, Film/Cinema, Gender, Women, and Sexuality Studies, Indigenous, Latino/a Studies, Media Studies, Race and Ethnicity, Visual Arts, Visual Culture |
| Mal Ahern, Conservation After Comfort, Part 2: Letting the World In, in After Comfort: A User's Guide, e-flux architecture, November 2024, https://www.e-flux.com/architecture/after-comfort/624766/conservation-after-conditioning-part-2-letting-the-world-in |
Publications, Articles |
Aesthetics, Ecocriticism, Intellectual History, Modernism, Visual Arts |
| Mal Ahern, "Conservation After Comfort, Part 1: Keeping the World Out," from After Comfort: A User's Guide, e-flux architecture, June 2024, https://www.e-flux.com/architecture/after-comfort/616851/conservation-after-conditioning-part-i-keeping-the-world-out |
Publications, Articles |
Aesthetics, Ecocriticism, Intellectual History, Modernism, Visual Arts |
| Mal Ahern, "Climate Control, Modernism, and Mass Production," Discourse 45.1-2 (Fall 2023), 3-32. |
Publications, Articles |
20th Century, Art History, Ecocriticism, Media Studies, Modernism, Science and Technology, Visual Arts, Visual Culture |
| Diana Flores Ruíz, “Visiting: Towards Ethical Forms of Encounters,” in The sun comes in whenever it wants (Paris: Empire Books and Luma Arles, 2022) |
Publications, Books |
Aesthetics, Documentary, Film/Cinema, Indigenous, Visual Arts |
| Choi, Sarah. "When Light Permeates Through: Inside Barbara Earl Thomas' Transformation Room." A Year in Black Art 5 (Fall 2022): 14-19. |
Publications, Essays |
Aesthetics, African American, Visual Arts, Visual Culture |
| Choi, Sarah. "Life, Death, or Something in between: Photographic Taxidermy in “Get out”(2017)." Quarterly Review of Film and Video (2021): https://doi.org/10.1080/10509208.2021.1888606. |
Publications, Essays |
21st Century, African American, Film/Cinema, Philosophy, Photography, Race and Ethnicity, Social Justice, Visual Arts, Visual Culture |
| Eric Ames. Aguirre, the Wrath of God. BFI Film Classics. Palgrave Macmillan / British Film Institute, 2016. |
Publications, Books |
20th Century, Film/Cinema, German, History, Latin American, Postcolonial, Visual Arts, Visual Culture |
| Eric Ames, ed. Werner Herzog: Interviews. University Press of Mississippi, 2014. Paperback 2015. |
Publications, Books |
20th Century, 21st Century, Aesthetics, Documentary, Film/Cinema, German, Media Studies, Visual Arts, Visual Culture |
| Gordana P. Crnkovic, Aida Vidan (eds). In Contrast: Croatian Film Today. Berghahn Book and Croatian Film Association, 2012. |
Publications, Books |
20th Century, 21st Century, Bosnian Croatian Montenegrin Serbian, Culture, East European, Film/Cinema, Slavic, Visual Arts |
| Zagreb Everywhere. MiroJoy group: Seattle, 2001. http://vimeo.com/45275095 |
Publications, Film/Video |
Autobiography, Biography, and Life Writing, Bosnian Croatian Montenegrin Serbian, Literature and Other Arts, Media Studies, Visual Arts |
