| Author/Title |
Research Type |
Related Fields |
| Mal Ahern, "Media Infrastructure and Historical Materialism," in In Focus: Images and Infrastructures, ed. Ahern and Dhaliwal, JCMS 65, no. 1 (Fall 2025): 195-201. |
Publications, Articles |
Critical Theory, Film/Cinema, Historiography, Media Studies, New Media, Science and Technology, Television |
| Mal Ahern and Ranjodh Singh Dhaliwal, "Modes of Visual Production," in In Focus: Images and Infrastructures, ed. Ahern and Dhaliwal, JCMS 65, no. 1 (Fall 2025): 156-161 |
Publications, Articles |
Aesthetics, Film/Cinema, Historiography, Media Studies, New Media, Science and Technology |
| Mal Ahern and Ranjodh Singh Dhaliwal, eds, In Focus: Images and (Infra)structures, Journal of Cinema and Media Studies 65, no. 1 (Fall 2025), 156-201. |
Publications, Projects |
Critical Theory, Digital Humanities, Ecocriticism, Historiography, Media Studies, New Media, Photography, Race and Ethnicity, Science and Technology, Visual Culture |
| Choi, Sarah. "Cross-Generational Storytelling: A Conversation with Sasha Su-Ling Welland and Sabrina Craig." Feminist Media Histories, Vol. 9, Number 4, pps. 135–150. |
Publications, Articles |
African American, Asian American, Film/Cinema, Historiography, Media Studies, Visual Culture |
| Mal Ahern, "The Machine that Makes Gossip: Andy Warhol's Screen Test of Marcel Duchamp," NECSUS #Rumors, Spring 2022 |
Publications, Essays |
Art History, Film/Cinema, Historiography |
| Xin Peng, "Colour-as-Hue and Colour-as-Race: Early Technicolor, Ornamentalism and The Toll of the Sea," Screen Vol. 62, No. 3 (2021): 287-308. |
Publications, Essays |
20th Century, Asian American, Historiography, Race and Ethnicity |
| Peng, Xin. "Yan Shanshan." In Jane Gaines, Radha Vatsal, and Monica Dall’Asta, eds. Women Film Pioneers Project. New York, NY: Columbia University Libraries, 2020. <https://doi.org/10.7916/d8-sb7c-ww77> |
Publications, Essays |
Chinese, Early Cinema, Film/Cinema, Historiography, History |
