Haunted by History: Asian Horror Cinema
ASIAN 207A / CMS 297A
What makes Asian horror so unique? Why is Asian horror so popular among the global audience? Along with the uncanny thrills and entertainment value these films offer, Asian horror cinema has stood out in its symbolic, allegorical, and figurative representation of social issues. From the global success and stunning popularity of Ring (リング, Nakata Hideo, 1998) to the recent emergence of art-house horror or post-horror films such as The Wailing (곡성, Na Hong-jin, 2016) and Mekong Hotel (แม่โขงโฮเต็ล, Apichatpong Weerasethakul, 2012), Asian horror cinema has engaged global audiences with a diverse array of themes and aesthetic styles as well as political and cultural realities.
The horror genre has long been associated with ahistorical, apolitical, trashy, B-sentimental, and “low” taste. Yet, at the same time, as the most affectively and sensorially experienced film genre, horror films also “move” us through vicarious revenge, psychological reparation, and, of course, pure entertainment. This affective dimension of horror foregrounds the cultural politics of Asian horror cinema.
Genre cinema commonly exists upon the repetition of motifs and expected codes. At the same time, cultural, geopolitical, and historical specificities also affect the formation of a cinematic genre. This course in particular explores the ways in which Asian horror cinema narrativizes, visualizes, and politicizes socio-historical issues in the region. The course also examines how the genre itself creates cultural space for articulating such issues. Throughout the course, students will read the “political unconscious” of Asian horror cinema and theorize the genre’s specificity and intra-Asian relationship.
In order to familiarize all class members with cinematic grammar and styles, we will practice basic terminologies and film techniques throughout the quarter.
NOTE: Students over the age of 18 only.