CMS 271 A: Perspectives on Film: Great Directors

Spring 2023
Meeting:
TTh 12:30pm - 2:20pm / GWN 301
SLN:
21320
Section Type:
Lecture
Instructor:
CRONENBERG NOTE: THIS COURSE IS NOT OPEN TO STUDENTS UNDER THE AGE OF 18. NO ADD CODES BEYOND THE FIRST WEEK CLASS.
Syllabus Description (from Canvas):

CONTENT WARNING

https://canvas.uw.edu/courses/1648670/pages/content-warning?module_item_id=17903707

 

The Cinema of David Cronenberg

Tuesday/Thursday 12:30 to 2:20 PM

GWN 301

Instructor: Prof. Sudhir Mahadevan (he/him/his) (sudhirm

Department: Cinema and Media Studies

Office Hours: Padelford Hall, B-205, Wednesdays 12:30 to 2:30 pm, and by appointment

Teaching Assistants:

Shuprima Guha (shuprima)

Office Hours: Wednesdays 12 to 1 pm, Padelford Hall, 2nd Floor, C-201

Yandong Li (yandong

Office Hours: Thursdays 11:20 to 12:20 pm and by appointment

Mengcha Moua (mengcha)

Office Hours: Tuesdays 3 to 4 pm or by appointment, Padelford Hall, 2nd Floor, C-201/

Zoom: https://washington.zoom.us/j/93074416614 

Jude Velez (jkvelez) (they/them)

Office Hours: Tuesdays 11 am to 12 pm, Padelford Hall, 5th Floor, B 522, or by Appointment

 

Crimes of the Future (David Cronenberg, 2022)
Crimes of the Future (David Cronenberg, 2022)

This introductory course is meant for students with no prior experience with film analysis or who have not taken a film class before. The course has two aims.

The first is to teach students the basic skills and vocabulary of film analysis. By the end of the quarter, students should be able to describe a movie (or portions of it) using the vocabulary they learn in this class, and be able to construct an argument about the meaning of the movie.

The second aim is to give students a basic introduction to an important contemporary director, David Cronenberg. Cronenberg's films engage with diverse film genres: venereal horror, zombie flicks, sci-fi, adaptations of literary classics and theatrical works. This course will trace this filmmaker's truly unnerving body of films, with their focus on bodily mutation, damage and degradation (The Brood, The Fly, Shivers, Rabid), in the way bodies interact with media and other technologies (Videodrome, eXistenZ, Crash), and in fluid gender identities and body doubles (M. Butterfly, Dead Ringers). 

Graded course work will include a combination of short essays, quizzes, participation and exams. 

Catalog Description:
Introduction to authorship in the cinema. The work of a major director or directors.
Department Requirements Met:
Pre-req to Declare Cinema & Media Studies Major
GE Requirements Met:
Arts and Humanities (A&H)
Credits:
5.0
Status:
Active
Last updated:
December 5, 2024 - 9:14 am