| Jennifer M. Bean (co-editor). Silent Cinema and the Politics of Space. Indiana University Press: 2014. |
Publications, Books |
Film/Cinema |
| Jennifer M. Bean. Flickers of Desire: Movie Stars of the 1910s. Rutgers University Press: 2011. |
Publications, Books |
Film/Cinema, Popular Culture |
| Jennifer Peterson (guest ed.) Media and the Environment, Feminist Media Histories Vol. 6 No. 2, Spring 2020 |
Publications, Books |
Film/Cinema |
| José Alaniz, trans. "The Sugar Disease" by Viktor Puchkov. Glas: New Russian Writing 47. 2010. |
Publications, Translations |
Russian, Translation and Interpretation |
| José Alaniz. Death, Disability, and the Superhero: The Silver Age and Beyond. University Press of Mississippi: 2014. |
Publications, Books |
Comics, Disability |
| José Alaniz. Komiks: Comic Art in Russia. University Press of Mississippi: 2010. |
Publications, Books |
Popular Culture, Russian, Visual Culture |
| Kim, Ungsan. Review of On the Margins of Urban South Korea: Core Location as Method and Praxis, edited by Jesook Song and Laam Hae. Toronto: University of Toronto Press, 2019. Journal of Asian Studies 81.1 (2022): pp. 229-230. |
Publications, Essays, Reviews |
Korean |
| Kim, Ungsan. “Stateless Things (2011): Queer Cinema and the Critique of the Heteronormative Nation-State.” Rediscovering Korean Cinema, edited by Sangjoon Lee, Ann Arbor: University of Michigan Press, 2019, pp. 473-485. |
Publications, Essays |
Film/Cinema, Gender, Women, and Sexuality Studies, Korean, Queer Studies, Urban Studies |
| Kim, Ungsan. “Cruising the Art Museum: On the Migration of Queer Experimental Cinema in South Korea,” JCMS 62.3 (Spring 2023): 191–196. |
Publications, Essays |
Film/Cinema, Korean, Media Studies, Queer Studies, Visual Culture |
| Kim, Ungsan. “The Critical Social Turn of Queer Korean Cinema: Hospitality and the Temporal Economy of Queer Kinship in The Bacchus Lady (2016).” Korea Journal 58.2 (2018): 88-112. |
Publications, Essays |
Film/Cinema, Gender, Women, and Sexuality Studies, Korean, Popular Culture, Queer Studies |
| Kim, Ungsan. “The Poet and the Theater: Perverse Reading and Queer Poetry.” Routledge Companion to Korean Literature, edited by Heekyoung Cho, London: Routledge, 2022, pp. 488-502. |
Publications, Essays |
Korean, Literary Criticism, Poetry and Poetics, Queer Studies |
| Kim, Ungsan. “The Poet and the Theater: Perverse Reading and Queer Poetry.” Routledge Companion to Korean Literature, edited by Heekyoung Cho, London: Routledge, 2022, pp. 488-502. |
Publications, Essays |
Korean, Literary Criticism, Poetry and Poetics, Queer Studies |
| Kim, Ungsan. "Queer Korean Cinema, National Others, and Making of Queer Space in Stateless Things (2011)." Journal of Japanese and Korean Cinema 9.1 (2017): 61-79. |
Publications, Essays |
Film/Cinema, Korean, Queer Studies, Urban Studies |
| Laura Chrisman, ed. "The Rendez-Vous of Conquest": Rethinking Race and Nation. Lawrence and Wishart: 2001. |
Publications, Books |
Global and Transnational Studies, Postcolonial |
| Laura Chrisman. Postcolonial Contraventions: Cultural Readings of Race, Imperialism and Transnationalism. Manchester University Press: 2003. |
Publications, Books |
Global and Transnational Studies, Postcolonial |
| Leroy Searle. "Technology and the Perils of Poetry: or Why Criticism Never Catches Up." MLN 118 (2004): 1177-92. |
Publications, Essays |
Critical Theory, Literary Criticism, Poetry and Poetics |
| Leroy Searle. "Textual Authority, Textual Integrity: The Cultural Importance of Editorial Ethics." Text of the Power of the Text (ed. by Cezary Galewicz). Homini: 2006. |
Publications, Essays |
Textual Studies |
| Mahadevan, S. (2021). Badnam Basti (1971): A small-town milieu in a 'new cinema' style. South Asian Popular Culture, 19 (3), 315-333. |
Publications |
20th Century, Film/Cinema, Popular Culture |
| Mahadevan, Sudhir, and Anuja Jain. “The Poetics of Indian Cinema: Introduction.” Screen (London), vol. 58, no. 1, 2017, pp. 59–63. |
Publications, Essays |
Film/Cinema, South Asian |
| Mahadevan, Sudhir. 2017. "Authorship, Industry and the Intermedial Relay: the Films of Vidhu Vinod Chopra", in Vishwamohan, Aysha Iqbal, and John, Vimal Mohan. Behind the Scenes : Contemporary Bollywood Directors and Their Cinema. SAGE. 79-97. |
Publications, Essays |
Film/Cinema, South Asian |
| Mahadevan, Sudhir. 2018. A Very Old Machine: the Many Origins of the Cinema in India. Permanent Black/Orient Longman, India. |
Publications, Books |
Early Cinema, Film/Cinema, Photography, Postcolonial, South Asian, Visual Culture |
| Mahadevan, Sudhir. “Traveling Showmen, Makeshift Cinemas.” BioScope South Asian Screen Studies, vol. 1, no. 1, 2010, pp. 27–47. |
Publications, Essays |
Film/Cinema, South Asian |
| Mal Ahern, "Cinema's Automatisms and Industrial Automation," diacritics 46:4 (2018), 6-35 |
Publications, Essays |
Aesthetics, Art History, Media Studies, New Media, Science and Technology |
| Mal Ahern, "Climate Control and Modernist Aesthetics," public recorded talk, New Views of Modernism Symposium, University of Calgary, February 2021 |
Publications, Film/Video |
20th Century, Aesthetics, Art History, Media Studies, Modernism, Print Culture, Science and Technology, Visual Culture |
| Mal Ahern, "Climate Control, Modernism, and Mass Production," Discourse 45.1-2 (Fall 2023), 3-32. |
Publications, Articles |
20th Century, Art History, Ecocriticism, Media Studies, Modernism, Science and Technology, Visual Arts, Visual Culture |
