| Choi, Sarah. "Life, Death, or Something in between: Photographic Taxidermy in “Get out”(2017)." Quarterly Review of Film and Video (2021): https://doi.org/10.1080/10509208.2021.1888606. |
Publications, Essays |
21st Century, African American, Film/Cinema, Philosophy, Photography, Race and Ethnicity, Social Justice, Visual Arts, Visual Culture |
| Yomi Braester. Witness against History: Literature, Film and Public Discourse in Twentieth-Century China. Stanford University Press: 2003. |
Publications, Books |
20th Century, Culture, Drama, East Asian, Film/Cinema, Literary Criticism, Literature |
| Yomi Braester. Painting the City Red: Chinese Cinema and the Urban Contract. Duke University Press: 2010. |
Publications, Books |
Chinese, Film/Cinema |
| Yomi Braester, James Tweedie, eds. Cinema at the City’s Edge: Film and Urban Networks in East Asia. Hong Kong University Press: 2010. |
Publications, Books |
East Asian, Film/Cinema |
| Tran, Long. “subtle asian womxn.” Global Honors Digital Commons (2019): 1-12. |
Publications, Essays, Film/Video, Undergraduate |
Documentary, Film/Cinema, Gender, Women, and Sexuality Studies, New Media |
| Tran, Long. "Queer History Through a Hollywood Lens." Augsburg Honors Review 12.9 (2019): 129-139. Web. |
Publications, Essays |
Film/Cinema, Gender, Women, and Sexuality Studies, Media Studies, Queer Studies |
| Sudhir Mahadevan. A Very Old Machine: the Many Origins of the Cinema in India (SUNY Press) |
Publications, Books |
20th Century, Film/Cinema, South Asian, Visual Culture |
| Stephen Groening, “‘We Can See Ourselves as Others See Us:’ Women Workers and Western Union’s Training Films in the 1920s” in Useful Cinema, edited by Charles Acland and Haidee Wasson, Duke University Press, 2011, pp. 34-58. |
Publications, Essays |
20th Century, Feminism and Feminist Theory, Film/Cinema, Gender, Women, and Sexuality Studies |
| Stephen Groening, “Crying While Flying: The Intimacy of Inflight Entertainment” écraNoSphère 1 (February 2014), 17 pages |
Publications, Essays |
20th Century, Critical Theory, Film/Cinema, Media Studies |
| Stephen Groening, “ ‘No One Likes to Be a Captive Audience’: Headphones and InFlight Cinema” Film History 28.3 (October 2016): 114-138 |
Publications, Essays |
Film/Cinema, History |
| Stephen Groening, “Aerial Screens” History and Technology 29.3 (December 2013): 281-303 |
Publications, Essays |
20th Century, Critical Theory, Film/Cinema, History, Media Studies |
| Stephen Groening, Cinema Beyond Territory: Inflight Entertainment and Atmospheres of Globalization. British Film Institute, 2014. |
Publications, Books |
20th Century, Film/Cinema, Global and Transnational Studies, History, Visual Culture |
| Peng, Xin. "Yan Shanshan." In Jane Gaines, Radha Vatsal, and Monica Dall’Asta, eds. Women Film Pioneers Project. New York, NY: Columbia University Libraries, 2020. <https://doi.org/10.7916/d8-sb7c-ww77> |
Publications, Essays |
Chinese, Early Cinema, Film/Cinema, Historiography, History |
| Monika Kaup. Neobaroque in the Americas: Alternative Modernities in Literature, Visual Art, and Film. Virginia University Press, forthcoming: |
Publications, Books |
20th Century, 21st Century, American, Film/Cinema, Latin American, Visual Culture |
| Missy Molly, Mimi Nielsen, Mery Shriver-Rice, eds. ReFocus: The Films of Susanne Bier. Edinburgh University Press: 2018. |
Publications, Books |
Film/Cinema, Scandinavian |
| Mal Ahern, "Trace: Six Grids and a Hypothesis," World Picture 11 (Summer 2016), worldpicturejournal.com/WP_11/Ahern_11.html |
Publications, Essays |
Art History, Film/Cinema, Media Studies |
| Mal Ahern, "The Machine that Makes Gossip: Andy Warhol's Screen Test of Marcel Duchamp," NECSUS #Rumors, Spring 2022 |
Publications, Essays |
Art History, Film/Cinema, Historiography |
| Mahadevan, Sudhir. “Traveling Showmen, Makeshift Cinemas.” BioScope South Asian Screen Studies, vol. 1, no. 1, 2010, pp. 27–47. |
Publications, Essays |
Film/Cinema, South Asian |
| Mahadevan, Sudhir. 2018. A Very Old Machine: the Many Origins of the Cinema in India. Permanent Black/Orient Longman, India. |
Publications, Books |
Early Cinema, Film/Cinema, Photography, Postcolonial, South Asian, Visual Culture |
| Mahadevan, Sudhir. 2017. "Authorship, Industry and the Intermedial Relay: the Films of Vidhu Vinod Chopra", in Vishwamohan, Aysha Iqbal, and John, Vimal Mohan. Behind the Scenes : Contemporary Bollywood Directors and Their Cinema. SAGE. 79-97. |
Publications, Essays |
Film/Cinema, South Asian |
| Mahadevan, Sudhir, and Anuja Jain. “The Poetics of Indian Cinema: Introduction.” Screen (London), vol. 58, no. 1, 2017, pp. 59–63. |
Publications, Essays |
Film/Cinema, South Asian |
| Mahadevan, S. (2021). Badnam Basti (1971): A small-town milieu in a 'new cinema' style. South Asian Popular Culture, 19 (3), 315-333. |
Publications |
20th Century, Film/Cinema, Popular Culture |
| Kim, Ungsan. "Queer Korean Cinema, National Others, and Making of Queer Space in Stateless Things (2011)." Journal of Japanese and Korean Cinema 9.1 (2017): 61-79. |
Publications, Essays |
Film/Cinema, Korean, Queer Studies, Urban Studies |
| Kim, Ungsan. “The Critical Social Turn of Queer Korean Cinema: Hospitality and the Temporal Economy of Queer Kinship in The Bacchus Lady (2016).” Korea Journal 58.2 (2018): 88-112. |
Publications, Essays |
Film/Cinema, Gender, Women, and Sexuality Studies, Korean, Popular Culture, Queer Studies |
| Kim, Ungsan. “Cruising the Art Museum: On the Migration of Queer Experimental Cinema in South Korea,” JCMS 62.3 (Spring 2023): 191–196. |
Publications, Essays |
Film/Cinema, Korean, Media Studies, Queer Studies, Visual Culture |
