Mahadevan, Sudhir, and Anuja Jain. “The Poetics of Indian Cinema: Introduction.” Screen (London), vol. 58, no. 1, 2017, pp. 59–63. |
Publications, Essays |
Film/Cinema, South Asian |
Mahadevan, Sudhir. 2017. "Authorship, Industry and the Intermedial Relay: the Films of Vidhu Vinod Chopra", in Vishwamohan, Aysha Iqbal, and John, Vimal Mohan. Behind the Scenes : Contemporary Bollywood Directors and Their Cinema. SAGE. 79-97. |
Publications, Essays |
Film/Cinema, South Asian |
Mahadevan, Sudhir. “Traveling Showmen, Makeshift Cinemas.” BioScope South Asian Screen Studies, vol. 1, no. 1, 2010, pp. 27–47. |
Publications, Essays |
Film/Cinema, South Asian |
Mal Ahern, "Cinema's Automatisms and Industrial Automation," diacritics 46:4 (2018), 6-35 |
Publications, Essays |
Aesthetics, Art History, Media Studies, New Media, Science and Technology |
Mal Ahern, "Playing with Vision: The Panoramic Shot in Laura Mulvey and Peter Wollen's Riddles of the Sphinx," in On the Viewing Platform: Perspectives on the Panorama, ed. Katie Trumpener and Tim Barringer, Yale University Press 2020 |
Publications, Essays |
Aesthetics, Art History, Feminism and Feminist Theory, Modernism |
Mal Ahern, "The Machine that Makes Gossip: Andy Warhol's Screen Test of Marcel Duchamp," NECSUS #Rumors, Spring 2022 |
Publications, Essays |
Art History, Film/Cinema, Historiography |
Mal Ahern, "Trace: Six Grids and a Hypothesis," World Picture 11 (Summer 2016), worldpicturejournal.com/WP_11/Ahern_11.html |
Publications, Essays |
Art History, Film/Cinema, Media Studies |
Míċeál Vaughan. "Creating Comfortable Boundaries: Scribes, Editors, and the Invention of the Parson's Tale." Rewriting Chaucer: Culture, Authority, and the Idea of the Authentic Text, 1400-1602 (ed. by Thomas A. Prendergast and Barbara Kline). Ohio State Press: 1999. |
Publications, Essays |
English, Medieval |
Milan Vidaković. "Irony Called into Question: Don Quixote's Alazon and Eiron." Papers on Language & Literature 53.2 (Spring 2017): 166-90. |
Publications, Essays |
17th Century, Literature, Philology, Spanish |
Milan Vidaković. "Magic Questions: The Rhetoric of Authority in South Slavic Epic Song." Oral Tradition 33.1 (2019): 51-88. |
Publications, Essays |
20th Century, Comparative Literature, East European, Folklore and Mythology, Literature, Slavic |
Peng, Xin. "Yan Shanshan." In Jane Gaines, Radha Vatsal, and Monica Dall’Asta, eds. Women Film Pioneers Project. New York, NY: Columbia University Libraries, 2020. <https://doi.org/10.7916/d8-sb7c-ww77> |
Publications, Essays |
Chinese, Early Cinema, Film/Cinema, Historiography, History |
Raimonda Modiano. "Sameness or Difference? Historicist Readings of The Rime of the Ancient Mariner." S.T. Coleridge: The Rime of the Ancient Mariner (ed. by Paul Fry). Boston: Bedford Books of St. Martin's Press, 1998. |
Publications, Essays |
Poetry and Poetics, Romanticism |
Sarah Choi, "Too Hot for a Pandemic," SCMS+ (Summer 2020), https://cdn.ymaws.com/www.cmstudies.org/resource/resmgr/scmsplus/Choi_Too_Hot_for_a_Pandemic.pdf |
Publications, Essays |
21st Century, American, Canadian, Culture, Digital Humanities, Documentary, Popular Culture, Television |
Stephen Groening, “ ‘An Ugly Phrase for an Unprecedented Condition’: Mobile Privatization and Portable Media” KeyWords: A Journal of Cultural Materialism 11 (2013): 58-74 |
Publications, Essays |
20th Century, 21st Century, Critical Theory, History, Media Studies, Television |
Stephen Groening, “Aerial Screens” History and Technology 29.3 (December 2013): 281-303 |
Publications, Essays |
20th Century, Critical Theory, Film/Cinema, History, Media Studies |
Stephen Groening, “Teaching Local Television History with Primary Sources” Teaching Media Quarterly 4.3 (June 2017), 3 pages |
Publications, Essays |
20th Century, History, Television |
Stephen Groening, “ ‘No One Likes to Be a Captive Audience’: Headphones and InFlight Cinema” Film History 28.3 (October 2016): 114-138 |
Publications, Essays |
Film/Cinema, History |
Stephen Groening, “Automobile TV, the Post-Nuclear Family, and SpongeBob SquarePants” Visual Studies 26 (June 2011): 148-153 |
Publications, Essays |
20th Century, Critical Theory, History, Media Studies, Television |
Stephen Groening, “Banality and Online Videos” Film Criticism 40.2 (June 2016), 8 pages |
Publications, Essays |
21st Century, Aesthetics, Art History, Critical Theory, Media Studies |
Stephen Groening, “Crying While Flying: The Intimacy of Inflight Entertainment” écraNoSphère 1 (February 2014), 17 pages |
Publications, Essays |
20th Century, Critical Theory, Film/Cinema, Media Studies |
Stephen Groening, “Cynicism and Other Postideological Half Measures in South Park” in Taking South Park Seriously, edited by Jeffrey Weinstock, State University of New York Press, 2008, pp. 113-129. |
Publications, Essays |
20th Century, Critical Theory, Gender, Women, and Sexuality Studies, Television |
Stephen Groening, “From ‘A Box in the Theater of the World’ to ‘The World as Your Living Room’: Cellular Phones, Television, and Mobile Privatization” New Media and Society 12.8 (December 2010): 1331-1347 |
Publications, Essays |
20th Century, Critical Theory, Media Studies, Television |
Stephen Groening, “Introduction: The Aesthetics of Online Videos” Film Criticism 40.2 (June 2016), 9 pages |
Publications, Essays |
21st Century, Aesthetics, Art History, Critical Theory, Media Studies |
Stephen Groening, “Towards a Meteorology of the Media” Transformations 25 (December 2014), 9 pages |
Publications, Essays |
20th Century, Critical Theory, Media Studies |
Stephen Groening, “‘We Can See Ourselves as Others See Us:’ Women Workers and Western Union’s Training Films in the 1920s” in Useful Cinema, edited by Charles Acland and Haidee Wasson, Duke University Press, 2011, pp. 34-58. |
Publications, Essays |
20th Century, Feminism and Feminist Theory, Film/Cinema, Gender, Women, and Sexuality Studies |